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CINEACTION Canada

Page last updated: 108 days ago
(3 March 2013)

Special thanks for this page goes to:
Garry Malvern
Peter

Scholarly Journal from Toronto, Canada published by CineAction! Collective,

- First issue in 1985
- 81 issues are listed in the moviemags.com database. (full listing).
- Provides "alternatives to what is generally available".
- Published three times a year.
- Editors: Robin Wood (1985-2007), Scott Forsyth, Florence Jacobowitz, Richard Lippe and Susan Morrison..
- Website: cineaction.ca/

Showing: 81 issues

Issues by year: 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012

Issue #89
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December 2012/January/February 2013

Issue #88
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October/November 2012

Issue #87
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May/June/July 2012

Issue #86
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December 2011

Issue #85
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October/November 201185 SLOW FILM, CROWD PLEASERS
SLOW FILM
A Cinema of Recession
Micro-budgeting, Micro-drama, and the "Mumblecore" Movement
by Maria San Filippo
Slow Fuse
The Cinematic Strategies of Tsai Ming-Liang
by Marc Saint-Cyr
The Invisible Catastrophe
Lingering Movement and Duration in Werckmeister Harmonies
by Emre Caglayan
Passing Time
SOPHIA COPPOLA'S SOMEWHERE
by Tomas Hachard
CROWD PLEASERS
Unlikely Heroines?
'Women of a certain age' and romantic comedy
by Deborah Jermyn
Gran Torino
Clint Eastwood as Fallen Saviour
by William Beard
The American Personality Documentary
Fetishization,Nostalgia and the Working Class
by Caitlin Starowicz
Impalement
Race and Gender in Bryan Singer's X-Men
by Heather J.Hicks
A Brief History of Taiwan's Film Industry
by Alice Shih
A Report from the 2011 Berlinale
Governing Relationships
by Alison Frank

Issue #84
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July/August/September 2011Robin Wood: In Celebration
Chabrol
Hawks
Hitchhcock
PLUS: Penn, Romero... and more!

Issue #'82/83
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February/March/April/May 2011

Issue #81
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October/November 2010War Films: The Hurt Locker; In the Valley of Elah; The Thin Red Line; Female Directors: Nancy Meyers; Vera Chytilova; Japanese Directors and Much More!!!

Issue #80
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August/September 2010Genre and Global Cinema

GENRE
Shocked and Awed?
Hostel and the Spectacle of Self-Mutilation
by Gregory A. Burris
Genre Matters
Film Criticism and the Social Relevance of Genres
by Juan A. Tarancon
Whos Bleeding Whom?
Analyzing the Cultural Flows of Blaxploitation Cinema, Then and Now
By John Semley
Telling the (Wrong) Story
The Disintegration of Transcultural Communication and Narrative in The Fall
by E. Charlotte Stevens
Where Do We Go From Here?
Confronting Contingency with Gerry
by Lee Knuttila
TORONTO INTERNATIONAL FILM FESTIVAL
White Material
A Film by Claire Denis
by Florence Jacobowitz
European Melodramas
The Refuge and I Am Love
by RICHARD LIPPE
What Does a Woman Want?
Io sono lamore/I Am Love and Cairo Time
by Susan Morrison
A TRIBUTE
Jennifer Jones and Jean Simmons
by RICHARD LIPPE
GLOBAL CINEMA
City Spaces and National Identity
by Katrina Sark
The Language of Emotion in Godard's Films
by Anuja Madan
Neither Hand, Nor Foot, Nor Kidney
Biopower, Body Parts and Human Flows in Stephen Frear's Dirty Pretty Things
by Larissa Lai

Issue #79
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Nov./Dec./January 2010 Collaboration & French New Wave: 50 Years
French New Wave: 50 Years by Florence Jacobowitz and Richard Lippe.
Elia Kazan 1909-2009 A Man in Conflict by Richard Lippe
The Second Wave
Collaboration and the Nouvelle Vague by Adam Bingham
Vive l'Amour by Robin Wood.
Contraband: Powell, Pressburger, Veidt, Hobson, Junge and Others
by Tony Williams
Collaborating Agent: Charles Feldman and Clients by Tom Kemper
Body and Soul
John Garfield, Abraham Polonsky and the American Jewish Family
by Stuart Hands
The Biggest Film Biographer in the World
The Films of Ken Russell for the BBC by George Porcari
Cannes Film Festival 2009 by Robert K. Lightning
Trace and Travesty
How The Columbus of Sex Became My Secret Life by Stephen Boomer
Textures of Collaboration
Pop Music Culture and the Experimental Films of Abigail Child and Bill Morrison
by Carolyn Elerding

Issue #78
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August/September/October 2009Coming to terms with the Slumdog Phenomenon
Eli Roth's Hostel & Hostel II
Transsexualism as Cinematic Metaphor
PLUS: Second City, Guy Maddin... and more!

Issue #77
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June/July 2009Documentary & Superheroes
Documentary
Evita in Wonderland Pulqui and the Workshop of Underdevelopment Tomas F. Crowder-Taraborrelli
Sounds like Canada A Reexamination of the Development of Canadian Cinema Verite Michael Longfield
The War on Film Reanimating the Post-9/11 Viewer in The Prisoner, Or: How I Planned To Kill Tony Blair Brian Gibson
The Dialogical Documentary Jennifer Fox on Finding a New Film Language in Flying: Confessions of a Free Woman (2007) Angelica Fenner
Secret Identities The Superhero Simulacrum and the Nation Matt Yockey Superheroes
Convergence Culture and the Caped Crusader Batman and the Environment of New Media Dru H. Jeffries
On the Obama-ization of Will Smith Edward D. Bacal
Lost in Translation On Frank Miller's The Spirit Brian Wilson
"Tone down the Boobs Please" Reading the Special Effect Body in Superhero Movies Sabine LeBel
Of Depth and Surfaces Notes on Watchmen and Other (non)Reflections on Phenomenological Film Experience Kevin Wynter

Issue #76
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February/March/April/May 2009International Cinema
The Skull Beneath the Skin: Patrice Chereau and Son Frere by Robin Wood
National Reconciliation and its Performative Limitations:
John Boorman's In My Country and Fanta Regina Nacro's Night of Truth
by Jeremy Maron
Toronto Workers' Art in Global Hollywood by John McCullough
Kiarostami's Life Lessons or how art flourishes where it would suffer, and struggles
where it should thrive by Dan Jones
Paul Newman IN MEMORIAM
TORONTO FILM FESTIVAL 2008
6 Films by Richard Lippe
Un barrage contre le Pacifique/ The Sea Wall by Florence Jacobowitz
TIFF '08 and Liverpool by Susan Morrison
4 Films by Scott Forsyth
UNDERRATED FILMS
Nicholas Ray's King of Kings by Tony Williams
We the Undead: Nadja by George Porcari
Atrocities at the Door: Peter Brook's Tell Me Lies, Images of Terror and Brechtian Aesthetics by Scott MacKenzie
Deciphering Lust, Caution by Alice Shih
On the Road to Renewed Relevance: Jacques Tati's Trafic by Dan Lalande
The Art of Persuasion Or: Have you seen this man's Films Lately? by Daniel Stefik

Issue #75
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August/September/October/November/December 2008The Art House Fim / Jean-Luc Godard / Federico Fellini / Tsai Ming-Liang
The Bones of Reagan by Darrell Varga
Analogical Thinking Organizational Strategies Within The Works of Jean-Luc Godard by Peter Harcourt
The High Solitude of a Rare Bird by Kohei Usuda
Fellini Goes To The Beach by George Porcari
The Romance of Certain Old Clothes by Adam Bingham
I Don't Want To Sleep Alone by Robin Wood
I Heart Hedwig by Conrad Page
The Voice of Marianne Faithful: On Sofia Coppola's Marie Antoinette by Kohei Usuda
A Polite Way of Being Desperate: An Interview with Marjane Satrapi by Jon Davies
The Brave One by Carole Zucker
Movements and Rhythms: On Sam Raimi's Spiderman 3 by Kohei Usuda

Issue #73
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2008Mini-Cinema: A Digital Diary for iPod by Catherine Russell
New Media Resistance: Machinima and the Avant-Garde by Elijah Horwatt
The Reality of Dreams: A presentation of L'Ange et la femme (1977) by Peter Harcourt
The Imagined City: Toward a Theory of Urbanity in Canadian Cinema by George Melnyk
Im just a simple filmmaker: An Interview With Michel Brault by Aysegul Koc
From Big Snow to Big Sadness: The Repatriation of Canadian Cultural dentity in the Films of Guy Maddin by John Semley
Being at Home with Roy Dupuis and Pascale Bussires or, Star-Gazing In and Out of Quebec by Peter Dickinson
Michael Haneke: Beyond Compromise by Robin Wood
Voice and Body : Ahead of the Curve and Scouts Are Cancelled by Darrell Varga
TORONTO INTERNATIONAL FILM FESTIVAL
And Along Come Tourists; The Counterfeiters by Florence Jacobowitz
Les Bons Films: A Girl Cut in Two and Angel by Richard Lippe
Random Thoughts On and Around the Toronto Film Festival by Robin Wood
My Kid Could Paint That by Susan Morrison

Issue #72
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2007 'The New Film Studies and the Decline of Critique,' Richard Rushton
'The Horror, Piglet, The Horror: Found Footage, Mashups, The Avant-Garde, and the Strange Case of Apocalypse Pooh,' Scott Mackenzie
'Towards a Theory of Virtual Pornography,' Kevin Wynter
'Saving the Image: Scale and Duration in Contemporary Art Cinema,' Erika Balsom
'Singing Outside the Frame: The Female Voice in Gigi,' Susan Smith
'The Risk of Ambiguity: Reconsidering Zavattini's Film Ethics,' Nicholas Balaisis
'Interview: Joan Chen,' Alice Shih
'Notes on a Radical Tradition: Subversive Ideological Applications in the Hammer Horror Films,' Brian Wilson
'Interview: Charles Mudede,' Allan MacInnis
'Once Upon a Time in America: Sergio Leone and the Construction of Myth,' Peter Babiak
Index of CineAction Issues 56 to 71

Issue #71
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May 2007Sexuality In The Cinema
'The The Silent, Black Centre in the Early Films of Clair Denis,' Katharine Asals
' Fellini's Forgotten Masterpiece: Toby Dammit,' George Porcari
'The Strange Pleasure of The Leopard Man: Gender, Genre, and Authorship in a Val Lewton Thriller,' Scott Preston
'A Tribute to Robin Wood,' Kass Banning, Varda Burstyn, Scott Forsyth, Peter Harcourt, Bruce LaBruce, Bart Testa, Janine Marchessault
Toronto International Film Festival
'Some Tentative Responses to Directors I Value,' Robin Wood
'Master Classes: De Oliveira's Belle Toujours and Von Trotta's I am the Other Woman,' Richard Lippe
'Nue Propriete with Isabelle Huppert,' Florence Jacobowitz
'Golden Door/Nuovomondo,' Susan Morrison
'Cinema,-Cinema' [The 2006 Los Angeles Film Festival, AFI Fest 2006, American Film Market 2006, 55th International Film Festival Mannheim-Heidelberg]. Diane Sippl
'Of Human Bonding: An Interview with Tsai Ming-Liang,' Aysegul Koc
'After This Director's Seventeen Years of Exile: An Interview with Patrick Tam,' Alice Shih
'In Dreams and The Gothic: The Moment of Collapse,' Carole Zucker
'Carolee Schneemann's Fuses as Erotic Self-Portraiture,' Shana MacDonald

Issue #70
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December 2006Theme: Protest and Revolution.
' Protest and Revolution [a note from issue editor Robin Wood],' pages 1 - 2.
Theme: Protest and Revolution.
Note: In a 'calls for submissions' note published on page 1 of issue No. 69, Wood wrote, 'In view of the current world situation it seems important to make an attempt to restore CineACTION to its original Leftist roots, which I feel have been to some degree eaten away by the pervasive discouragement and despair of the past decade.' Wood goes on to announce that he would be writing about Salt of the Earth.However, in his editorial note for this issue, Wood announced that he dropped the essay after discovering James L. Lorence's book on the making of the film. Wood also announces in this issue that he is retiring from the editorial board of CineACTION! but he will continue to write essays 'in my own time and at my own pace.'
# 'The Documentary Films of Citizen Activist Michael Moore: A Man on a Mission, or, How Far a Reinvigorated Populism Ca Take Us,' Garry Watson, pages 3 - 15.
# ' Assessing V for Vendetta,' Tony Williams, pages 16 - 23.
# ' Bearing Witness: The Dardenne Brothers and Michael Haneke's Implication of the Viewer,' Brian Gibson, pages 24 - 38.
# ' Excesses of Millennial Capitalism, Excesses of Violence: Several Critical Fragments Regarding the Cinema of Michael Haneke,' Kevin Wynter, pages 39 - 45.
# 'Le Temps du loup/ Time of the Wolf,' Florence Jacobowiz, pages 46 - 50.
# 'Mourning and Misfortune: 9/11 and the Domestic Terror of Pedophilia,' Dion Tubrett, pages 51 - 58.
# ' Intuitions in Africa: Personal and Political Knowledge in The Constant Gardener,' Edward Gallafent, pages 59 - 65.
# ''What You See is Happening Right Now': Thermageddon and a Search for Tommorow,' Blair Miller, pages 66 - 69.
# 'Good Night, and Good Luck: History Replays Itself,' Richard Lippe, pages 70 - 72.

Issue #69
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June 2006Theme: Films From Around the Globe: Bolivia, Canada, China, Egypt, 60s America, South Africa. 'Films From Around the Globe [a note from issue editor Scott Forsyth],' page 1. [Note: contents page gives mostly wrong page numbers] # 'Images of the Rural: The Cinema of Quebec,' Peter Harcourt, pages 2 - 11. # 'Anxieties of Fundamentalism and the Dynamics of Modernist Resistance: Youssef Chahine's Al Maseer [The Destiny],' Malek Khouri, pages 12 - 23. # 'On William D. MacGillivray,' Robin Wood, pages 24 - 33. # 'The Days of Frozen Dreams: An Interview with Wang Xizoshuai,' Alive Shih, pages 34 - 39. # 'The Brig: The Paradox of Resistance and Recuperation,' Nicola Galombik and Michael Zryd, pages 40 - 49. # 'Sexual Dependency: The Split Image of Globalisation,' Michael Sofair, pages 48 - 55. # Reviews. # 'Bruce McDonald on the West Coast: The Love Crimes of Gillian Guess,' George Melnyk, pages 56 - 58. # 'C.R.A.Z.Y.,' George Melnyk, pages 58 - 60. # 'Reading, Regarding, and Waiting: Three New Documentaries from Nova Scotia,' Darrelll Varga, pages 60 - 63. # 'Some Directions in World Cinema: AFI Fest 2005, 54th International Film Festival Mannheim-Heidelberg, 7th Scandinavian Film Festival L.A.' Diane Sippl, pages 66- 69. # 'Two Films by Amnon Buchbinder: Some Questions About the Future of Canadian Cinema,' Robin Wood, pages 69- 72.

Issue #68
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January/February/March 2006Theme: Natural Born Killers. 'Natural Born Killers [editorial introduction],' Susan Morrison, page 1. # ' Articulating the Violence Debate: True Lies, Natural Born Killers, and the Terms of 'Cultural Contamination', ' Kimberly A. Owczarski, pages 2 - 10. # ' Elephant : The Physics of Violence,' Michael Sofair, pages 11 - 17. # 'Firepower: Herzog's Pure Cinema as the Internal Combustion of War,' Nadia Bozak, pages 18 - 25. # 'The Unattainable Narrative: Identity, Consumerism, and the Slasher Film in Mary Harron'sAmerican Psycho,' David Robinson, pages 26 - 35. # 'Trauma and Violence, Different Sensibilities: Nanni Moretti's The Son's Room and Todd Field's In the Bedroom,' Henry M. Taylor, pages 36 - 44. # 'Violence, Actions, and Words in Million Dollar Baby,' Edward Gallafent, pages 45 - 52. # 'Jia Zhangke: Life and Times Beyond the World,' Alice Shih, pages 53 - 58. Theme: Toronto International Film Festival # ' The Sun,' Adam Nayman, pages 59 - 60. # ' Takeshis',' Andrew Tracy, pages 60 - 62. # ' Cache,' Florence Jacobowitz, pages 62 - 64. # ' Heading South/Vers Le Sud: No Exit,' Richard Lippe, pages 64 - 67. # ' The Brutal Beauty of Labour: Workingman's Death,' Scott Forsyth, pages 67 - 68. # ' Shangai Dreams,' Susan Morrison, pages 69 - 70. # ' Toronto International Film Festival, ' Robin Wood, pages 70 - 71.

Issue #67
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2005Theme: Film on Film. 'Film on Film' [a note from the editors],' Florence Jacobowitz and Richard Lippe, pages 1 - 3. Theme: Editor's Choices. # 'Remembering Memories of Underdevelopment,' Scott Forsyth, pages 2 - 3. # 'Zero de Conduite: Radical Cinema,' Florence Jacobowitz, pages 3 - 5. # 'The Life and Death of Deathwatch and Dying at Grace,' Florence Jacobowitz, page 6. [Left off of the contents page.] # 'In a Glass Cage,' Bruce LaBruce, page 7. # 'Party Girl: Ray and Hollywood,' Richard Lippe, pages 7 - 8. # 'Jia Zhang-ke's The World,' Susan Morrison, pages 9 - 10. # 'Notorious,' Lori Spring, pages 10 - 11. # 'Right Again: A Loving Tribute to Stan, Ollie, and Leo,' Robin Wood, page 11. # 'Cinematic Meaning in the Work of David Lynch: Revisiting Twin Peaks: Fire Walk With Me, Lost Highway, and Mulholland Drive,' Michael Vass, pages 12 - 23. # 'Looking a Lola, Looking at Cinema' Jason Wilcox, pages 24 - 37. # 'Film, Dreams, and Stolen Pocketwatches,' Dr. Ira Nayman, pages 38 - 42. # 'In Memoriam [photo tribute to Marlon Brando],' pages 43. # 'Ceylan and Company: Autobiographical Trajectories of Cinema,' Diane Sippl, pages 44 - 57. # '?nibus 174 [Bus 174]: Intention in the System of Representation,' Hans W. Staats, pages 58 - 62. # 'Centenary,' [photo tributes to Otto Preminger and Greta Garbo], pages 63. # 'Seeing Elephant,' Dion Tubrett, pages 64 - 72.

Issue #66
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2005Theme: Questions of Value. ' Questions of Value ' [a note from the editors],' Robin Wood, page 1. # ' A.I. or The Agony of Steven Spielberg,' William Beard, pages 2 - 11. # 'Metropolis: Rstoration, Re?valuation,' Susan Smith, pages 12 - 23. # 'Pleasures of The Big Sleep,' Nathan Holmes, pages 24 - 28. # 'The Centre Cannot Hold: Betrayals in Alfred Hitchcock's Topaz,' Justin E. A. Busch, pages 29 - 41. # 'This is Not a Game: Alan J. Pakula's Rollover,' Jack Hughes, pages 42 - 49. # ''But It's Good': Finding Value in Twentynine Palms,' Jason Wilcox, pages 50 - 60. # 'From Within: Music in the Style of Jean Renoir,' Alex Clayton, pages 61 - 72.

Issue #65
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2004Theme: Sex, Terror, Madness, Canada ' Sex, Terror, Madness, Canada [editor's note], ' Scott Forsyth, page 1. # ' In the Web of David Cronenberg: Spider and the New Auteurism, ' Reni Celeste, pages 2 - 5. # ' Thoroughly Modern Maddin, ' David Pike, pages 6 - 18. # ' Canadian Social Documentary in the Age of Michael Moore: The Corporation and The Fix, ' Seth Feldman, pages 17 - 19. # ' Gay Guerrilla Filmmaking and Terrorist Chic: Toronto Filmmaker Bruce LaBruce Discusses His Latest Art/Porn Feature, The Raspberry Reich, ' Matthew Hays, pages 20 - 24. # ' Caress, The Decay: Queer Desire in he Nature of Nicholas , ' Andrew Lesk, pages 25 - 29. # ' The Local and the Global Revisited: Un 32 A?ut sur terre, ' Darrell Varga, pages 30 - 36. # ' You Watch To Much TV, Kid: Causalities of Cultural Colonialism, ' Robert L. Cagle, pages 37 - 43. # ' Tedium and Torture: Fight Club, Globalization, and Professionals in Crisis, ' John McCullough, pages 44 - 53. # ' Allegorical Figurations and the Political Didactic in Bulworth, ' Reagan Ross, pages 54 - 63. Toronto International Film Festival # ' Bridges: Notre Musique ' Peter Harcourt, pages 63 - 64. # ' Hou Hsiao-Hsien's Cafe Lumiere ' Florence Jacobowitz, pages 65 - 66. # ' The Ninth Day and Downfall ' Susan Morrison, pages 66 - 67. # ' Living and Looking at Life: Bruce Webber Interviewed ' Richard Lippe, pages 67 - 70. # ' The Toronto Film Festival: Random Thoughts ' Robin Wood, pages 71 - 72.

Issue #64
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August 2004Theme: New Directions? ' New Directions? [editor's note], ' Susan Morrison, page 1. # ' Where Globalization and Localization Meet: Spike Lee's The 25th Hour, ' Patricia O'Neill, pages 2 - 9. # ' The Politics of Hiccups: National Cinema with National Language, ' Aniko Imre, pages 8 - 17. # ' Two Stories, One Right, One Wrong: Narrative, National Identity and Globalization in Sliding Doors, ' David Martin-Jones, pages 18 - 27. # ' The Passion of Global Hollywood: ivansxtc, ' Lisa Kernan, pages 28 - 36. # ' Korean Cinema Now: Balancing Creativity and Commerce in an Emergent National Industry, ' Peter Harry Rist, pages 37 - 45. # ' Striking Home: Trends and Changes in Vietnamese Cinema, ' Kim Worthy, pages 46 - 53. # ' Takashi Miike's Cinema of Outrage, ' Tony Williams, pages 54 - 62. # ' Indigenous Feature Films: A New Hope for National Cinemas?, ' Jenifer L. Gauthier, pages 63 - 71. # Letter from representatives of the Film Studies Association of Canada [on the attacks on Catherine Russell's essay on Ozu], page 72. # Editorial note from Scott Forsyth [on the letter exchanges concerning Catherine Russell's article on Ozu], page 72. # Response from Robin Wood [to Russell's letter in issue No. 63], page 72.

Issue #63
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April 2004Theme: Minnelli and Ozu Centenary ' [editor's note], ' Florence Jacobowitz and Richard Lippe, pages 1 - 2. # ' In Memoriam: Hepburn, Peck, Hepburn, ' unsigned, page 3. # ' Being a Clown: Curious Coupling in The Pirate, ' Douglas Pye, pages 4 - 13. # ' The Cobweb, ' Stella Bruzzi, pages 14 - 21. # ' Home from the Hill: Vincente Minnelli, 1959, ' Michael Walker, pages 22 - 34. # ' Love and the City: An Analysis of Vincente Minnelli's The Clock, ' Stuart Hands, pages 35 - 37. # ' The far Side of Paradise; The Style and Substance of Yolanda and the Thief, ' Alexander Jacoby, pages 38 - 44. # ' The Spaces In-Between: The Cinema of Yasujiro Ozu, ' Adam Bingham, pages 45 - 56. # ' Notes Toward a Reading of Tokyo Twilight [Tokyo boshoku], ' Robin Wood, pages 57 - 58. Toronto Film Festival Reviews 2003 # ' Los Angeles Plays Itself, ' Richard Lippe, pages 59 - 61. # ' Notes on the Toronto Film Festival, ' Robin Wood, pages 62 - 65. # ' Amos Gitai's Alila, ' Florence Jacobowitz, pages 65 - 67. # ' Drifters: Smoking and Moping on the Mainland, ' Susan Morrison, pages 67 - 68. # ' Tabio's So Far Away, ' Scott Forsyth, pages 69 - 70. # ' The Brown Bunny, ' Dion Tubrett, pages 70 - 71. # Letter from Catherine Russell [see previous issue's letter section], page 72. # Letter from Jacob Leigh [correcting errors in his Malick essay], page 72.

Issue #62
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October 2003Theme: Close Readings ' Questions of Value [editor's note], ' Robin Wood, page 1. # ' Unanswered Questions: Vision and Experience in Terrence Malick's The Thin Red Line, ' Jacob Leigh, pages 2 - 14. # ' The Purpose of Plot and the Place of Joan Bennett in Fritz Lang's The Woman in the Window, ' Andrew Kleven, pages 15 - 21. # ' The Age of Innocence: Martin Scorsese, 1993, ' Deborah Thomas, pages 22 - 33. # ' Love Hurts: Redemption within the Bowels of Seil contre tous and the Cinema of Aggression, ' Dion Tubrett, pages 34 - 40. # ' In Search of the Code inconnu, ' Robin Wood, pages 41 - 49. # ' Apocalypse Then: Lessons of Darkness Revisited, ' Adam Bingham, pages 50 - 53. # ' Vive le Cinema: A Reading of What Time is it There?, ' Aysegul Koc, pages 54 - 57. # ' ... Simply Because You're Near Me: Love, Chungking Expresss and In the Mood for Love, ' Blair Miller, pages 58 - 66. # ' Music and Modernity in A Brighter Summer Day, ' Saul Austerlitz, pages 67 - 70. # Letter from Alexander Jacoby [on Catherine Russell's article on Ozu], page 72. # Response from Robin Wood, page 72.

Issue #61
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February 2003Theme: New Canadian Cinema ' New Canadian Cinema [editor's note], ' Scott Forsyth, page 1. # ' Wotcha Lookin' at, Anyway? An Examination of Point-of -View in Denys Arcand's Stardom, ' Peter Harcourt, pages 2 - 9. # ' Quebec's Next Generation: From Lauzon to Turpin, ' George Melnyk, pages 10 - 17. # ' Blood in the Maple Syrup: Canon, Popular Culture, and the Canuxploitation of Julian Roffman, ' Aaron Taylor, pages 18 - 28. # ' Charting the Course of the Pacific New Wave, ' Diane Burgess, pages 29 - 33. # ' Interview with R. Bruce Elder, ' Aysegul Koc, pages 34 - 39. # ' Beyond the Homeland: A Comparative Introduction to Latino Film in Canada and the US, ' Elena Feder, pages 40 - 51. # ' Seeing and Being Seen in Media Culture: Shelley Niro's Honey Moccasin, ' Darrell Varga, pages 52 - 57. # ' Border Crossings: Representations of North American Culture in Bruce McDonald's Highway 61, ' Rochelle Simmons, pages 58 - 61. Toronto Film Festival Reviews 2002 # ' The Consequences of Seduction: Adolph, ' Florence Jacobowitz and Richard Lippe, pages 62 - 64. # ' The Intended, ' Robin Wood, pages 64 - 65. # ' Unknown Pleasures, ', Shelly Kraicer, pages 65 - 66. # ' Making and Remaking Class in Ken Loach's Recent Films, ' Scott Forsyth, pages 66 - 67. # ' Fruit Chan's 'Excremental Vision': Public Toilet, ' Susan Morrison, pages 67 - 68. International Film Festival Mannheim-Heidelberg # ' When Fiction Turns Real: Suspending Disbelief, ' Diane Sippl, pages 68 - 70. # ' Book Review: Alan King, Filmmaker, ' Janice Kaye, pages 71.

Issue #60
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Summer 2002Theme: East Asian Cinemas ' East Asian Cinemas [editor's note], ' Susan Morrison, page 1. # ' A Tale of Two Emperors: Mimicry and Mimesis in Two 'New Year's' Films from China and Hong Kong, ' Carlos Rojos, pages 2 - 9. # ' Hollywood and the Chinese Other, ' Tan Ye, pages 10 - 20. # ' To Live and Dye in China: The Personal and Political in Zhang Yimou's Judou, ' Vincent Brook, pages 21 - 29. # ' Interview with Jia Zhangke, ' Shelly Kraicer, pages 30 - 33. # ' Three Japanese Actresses of the 1950s: Modernity, Femininity, and The Performance of Everyday Life, ' Catherine Russell, pages 34 - 44. # ' Looking for Nostalgia: Memory and National Identity in Hou Hsiao-Hsien's A Time to Live, A Time to Die, ' I-Fen Wu, pages 45 - 51. # ' The Halfway House of Memory: An Interview with Hirokazu Kore-eda, ' Gabriel Paletz, pages 52 - 59. # ' South Korean Film Genres and Art-House Anti-Poetics: Erasure and Negation in The Power of Kangwan Province, ' David Scott Diffient, pages 61 - 71.

Issue #59
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September 2002Theme: Max Ophus Centenary ' Max Ophus Centenary [editor's note], ' Florence Jacobowitz and Richard Lippe, pages 1 - 2. # ' In Memory: Billy Wilder, Jack Lemmon, ' author, page 3. # ' Circles of Delight and Despair: The Cinema of max Ophuls, ' Peter Harcourt, pages 4 - 13. # ' Plunging Off the Deep End into the Reckless Moment, ' Robin Wood, pages 14 - 19. # ' Falling Women and Fallible Narrators, ' Douglas Pye, pages 20 - 29. # ' Werther (Max Ophuls, 1938), ' Michael Walker, pages 30 - 39. # ' Yoshiwara: Max Ophuls in the Empire of Passion, ' Alexander Jacoby, pages 40 - 44. # ' Captivated by Garbo: Max Ophuls's Roman Interlude with The Duchess of Langeais, ' Lutz Bacher, pages 45 - 53. # ' 'Do I Disgust You?': Or, Tirez pas sur La Pianiste, ' Robin Wood, pages 54 - 61. # ' Icons and Subversion in the Westerns of Clint Eastwood, ' Peter E. S. Babiak, pages 62 - 68. # ' Book Review: Fred and Ginger: A Vision of Emersonian Hollywood? [review of Astaire and Rogers by Edward Gallafent], ' Jeffrey Crouse, pages 69 - 70. # Letter from Michael McKegney [on teen films], pages 71. # Response by Robin Wood, page 71.

Issue #58
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June 2002Theme: World Cinema Since 1990 ' Editorial [editor's note], ' Robin Wood, page 1. # ' Party Time, or Can't Hardly Wait for that American Pie: Hollywood High School Movies of the 90s, ' Robin Wood, pages 2 - 10. # ' Time and Point of View in Contemporary Cinema, ' Temenuga Trifonova, pages 11 - 31. # ' Are You With Me? Unemployed Negativity in Mike Leigh's Naked, ' Garry Watson, pages 32 - 45. # ' The Import / Export Business: The Road to Abbas Kirostami's Taste of Cherry, ' Devin Orgeron, pages 46 - 51. # ' The Most Dangerous Game: Failed Male Friendship in Brian De Palma's Snake Eyes, ' author, pages 52 - 57. # ' Floating Desire, Floating Souls: Modern Cultural Landscape in Tsai Ming-Liang's Taipei Trilogy, ' I-Fen Wu, pages 58 - 64. # ' Chop Suey: Photographs to Remember You By, ' Richard Lippe, pages 65 - 67. # ' Beautiful People: In Praise of the Liberal State, ' Robert Lightning, pages 68 - 72. # Letter from Keith Withall [on Kippur], page 72. # Response by Florence Jocobowitz, page 72.

Issue #57
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March 2002Theme: Canadian Film ' Canadian Films and More [editor's note], ' unsigned, page 1. # ' Canadian Cinema in the Age of Globalization, ' David L. Pike, pages 2 - 10. # ' STET, ' Mike Cartmell, pages 11 - 15. # ' Toward the Quebec Auteur: From Perault to Arcand, ' Georege Melnyk, pages 16 - 29. # ' The Party's Over: Rollercoaster, ' Robin Wood, pages 30 - 34. # ' 'In the Sun It All Looks Nice': A Note on Paul Almond's Isabel, ' Tony French, pages 35 - 41. # ' Persistence of Vision: The Wonderful World of John Paizs, ' Robert L. Cagle, pages 42 - 49. # ' The New Face of British Heritage, ' Deborah Tudor, pages 50 - 57. # ' Distance: Hirokazu Kore-eda, ' Susan Morrison, pages 58 - 59. # ' The Intimate Screen: Dogme and Beyond, ' Diane Sippl, pages 60 - 68. # ' Book Review: Cinema's Recounting of the Ordinary [Andrew Kleven's 0Disclosure of the Everyday], ' Jeffrey Crouse, pages 69 - 71.

Issue #56
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September 2001Theme: Shifting Narratives ' Shifting Narratives [editor's note], ' Susan Morrison, page 1. # ' 'So Where Are You?': Memento, Memory, and the Sincerity of Self-Deception, ' Dion Tubrett, pages 2 - 10. # ' Flowers of Shanghai, ' author, pages 11 - 19. # ' DVD: The Shift to Film's New Modernity, ' author, pages 20 - 25. # ' Narration and Focalization in Wings of Desire, ' author, pages 26 - 33. # ' Narrative and Spectacle in Gladiator, ' Richard Rushton, pages 34 - 43. # ' They Kill for Love: Defining the Erotic Thriller as a Film Genre, ' Doug Keesey, pages 44 - 53. # ' The Lake Effects: A 'Slowly Turning Narrative', ' Trish Suchy, pages 54 - 66. # CineACTION! Index issues 1 through 55, pages 67 - 72.

Issue #55
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July 2001Theme: Star Image Icon ' Star Image Icon [editor's note], ' Florence Jacobowitz and Richard Lippe, page 1. # ' Hawke Ascending, ' Robin Wood, pages 2 - 13. # ' Frank and Fearless: The Eve Arnold - Joan Crawford Sessions, ' Florence Jacobowitz and Richard Lippe, pages 14 - 23. # ' Playing Fathers and Monsters: The Classical Appeal of Anthony Hopkins, ' Rachael Johnson, pages 24 - 30. # ' High Class Whore: Hedy Lamarr's Star Image in Hollywood, ' Jan Christopher Horak, pages 31 - 39. # ' I Wonder What Becomes of Me? A Note on the Marx Brothers, ' Tony French, pages 40 - 49. # ' Jim Carrey: The King of Embarrassment, ' Tarja Laine, pages 50 - 56. # ' The Man in the Pink Shirt: Hugh Grant and the Dilemma of British Masculinity, ' Gael Sweeny, pages 57 - 67. # ' Joan Fontaine's Heiress: Star in Transition, ' Robert K. Lightning, pages 68 - 71. # Letter: ' Nationalism and the Zizek Syndrome: More Beautiful People, ' from Vladislav Mijic, page 72.

Issue #54
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January 2001Theme: Screwball Lives! ' In This Issue [editor's note], ' Robin Wood, page 1. # ' The Same, But Different: The Awful Truth about Marriage, Remarriage, and Screwball Comedy, ' Kathrina Giltre, pages 2 - 11. # ' Screwball and the Masquerade: The Lady Eve and Two-Faced Woman, ' Robin Wood, pages 12 - 19. Available on Video # ' Luis Bunuel: A Tribute, ' author, pages 20 - 21. # ' Handy-Dandy: Bunuel's Susana, ' Tony French, pages 22 - 27. # ' Beautiful People, ' Robin Wood, pages 28 - 39. # ' Eden and Beyond, ' Jason Wilcox, pages 40 - 44. Toronto Film Festival Reviews 2000 # ' Interview with Fridrik Thor Fridriksson, ' Robin Wood, pages 45 - 52. # ' Diversity or Dumb Reality: Speculations on Canadian Film and on Sea of Blood by Richard Fung, ' Peter Harcourt, pages 52 - 56. # ' Above and Beneath: Francois Ozon's Sous le sable, ' Richard Lippe, pages 57 - 60. # ' Amos Gitai's Kippur, ' Florence Jacobowitz, pages 60 - 63. # ' Asian Fusion: Some Notes on the Hybridization of the 'Heroic Warrior' Genre, ' Susan Morrison, pages 63 - 67. # ' Platform, ' Shelly Kriacer, pages 67 - 70. # ' Juan Carlos Tabio, Cuban Cinema, and The Waiting List, ' Scott Forsyth, pages 71 - 72.

Issue #53
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November 2000Theme: Horror and Apocalypse ' Horror and Apocalypse [editor's note], ' Scott Forsyth, page 1. # ' Tomorrow is My Birthday: Placing Apocalypse in Millennial Cinema, ' Diane Sippl, pages 2 - 21. # ' Interracial Tensions in the Night of the Living Dead, ' Robert K. Lightning, pages 22 - 29. # ' Monkey Shines, ' Tony Williams, pages 30 - 39. # ' Postmodern Cinema and the Death of the Hero, ' Tom Pollard, pages 40 - 49. # ' Saying It with Flowers, ' John Brown, pages 50 - 52. # ' Book Review: Apocalypse Movies: End of the World Cinema, ' John McCullough, pages 53 - 55. # ' Some Arbitrary Forays into the Toronto Film Festival, ' Robin Wood, pages 56 - 63. # ' Chinese Language Films in the 24th Hong Kong International Gilm Festival, ' Shelly Kraicer, pages 64 - 72.

Issue #52
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Summer 2000Theme: Exiles and Emigres ' Exiles and Emigres [editor's note], ' Florence Jacoboqitz and Richard Lippe, page 1. # ' Douglas Sirk 1900 - 1987, ' Florence Jacobowitz and Richard Lippe, pages 2 - 3. # ' Lang and Brecht, ' Robin Wood, pages 4 - 11. # ' Running out of Places: Fritz Lang's Clash By Night, ' Douglas Pye, pages 12 - 17. # ' Under Capricorn: Hitchcock in Transition, ' Florence Jacobowitz, pages 18 - 27. # ' I Confess: Photographs of People Talking, ' V. F. Perkins, pages 28 - 39. # ' Same Tune Again! Repetition and Framing in Letter From an Unknown Woman, ' V. F. Perkins, pages 40 - 48. # ' Cat People and its 'Two Worlds', ' Jason Wilcox, pages 49 - 55. # ' On and Around: My Best Friend's Wedding, ' Robin Wood, pages 56 - 61. # ' 2001 Revisited, ' Peter E. S. Babiak, pages 62 - 67. # ' The Cinema of the Dispersed Yugoslavias: Diasporas in the Making, ' Dina Lordanova, pages 68 - 72.

Issue #51
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February 2000Theme: What Happened? ' What Happened? [editor's note], ' Susan Morrison, page 1. # ' Ride-Films and Films as Rides in the Contemporary Hollywood Cinema of Attractions, ' Geoff King, pages 2 - 9. # ' Space Invaders: Speculations on the Politics of Postmodern Space in Recent Science Fiction Films, ' Jamie Clarke, pages 10 - 16. # ' Representing Pre-Millennial Tensions: Hollywood's Gendered Invasion Narratives, ' Diane R. Weiner, pages 17 - 22. # ' Out of the Depths and Through the Postmodern Surface: History and Class Figuration in Titanic, ' David Ashen, pages 23 - 29. # ' Raising 'Film Avid': The Happy Teen from Technotown, ' Graeme Harper, pages 30 - 35. # ' Cinema by Fits and Starts: New Zealand Film Practices in the Twentieth Century, ' David Gerstner and Sarah Greenlees, pages 36 - 47. # ' Love and Rage: Irish Cinema of the '90s, ' Carole Zucker and Kristian Moen, pages 48 - 54. # ' How Film Exhibition Has Changed in the Past 50 Years: An Interview with George Mansour, ' Stephen Brophy, pages 55 - 59. Toronto Film Festival Reviews 1999 # ' Darkness and Light, ' Shelly Kraicer, pages 60 - 61. # ' One Piece: On Kore-eda, Kitano, and Some Lighter Moments in Recent Japanese Film, ' Susan Morrison, pages 61 - 63. # ' Clair Denis and Masculinity: Beau Travail, ' Richard Lippe, pages 63 - 65. # ' Spendour, ' Robin Wood, pages 65 - 67. # ' L'humanite, ' Robin Wood, pages 67 - 68. # ' A Humanist Philosophy: Interview(s) with Bruno Dumont, ' Mark Peranson and Andrea Picard, pages 69 - 72.

Issue #50
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September 1999Theme: Alfred Hitchcock, George Cukor ' Hitchcock and Cukor [editor's note], ' Robin Wood and Richard Lippe, page 1. # ' The Spatial World of Hitchcock's Films: The Point-Of-View Shot, The Camera, and 'Instrarealism', ' Susan Smith, pages 2 - 15. # ' Travels With My Aunt: Romanticism and Aging, ' Richard Lippe, pages 16 - 19. # ' The Use of Glass in Alfred Hitchcock's Blackmail, ' Stephen Brophy, pages 20 - 23. # ' George Cukor's 'Take' on the Literacy Narrative: Hollywood Style, ' Scott F. Stoddart, pages 24 - 31. # ' A Domestic Trilogy, ' Robert K. Lightning, pages 32 - 42. # ' 'Your Father's Method of Relaxation': Hitchcock's Shadow of a Doubt, ' Tony French, pages 43 - 45. # ' Kim Novak: Vertigo, Performance, and Image, ' Richard Lippe, pages 46 - 55. # ' Vertigo: Authorship as Transformation, ' Tony Williams, pages 56 - 59. # ' Notes on the Long Take in George Cukor's A Life of Her Own, ' Edward R. O'Neill, pages 60 - 69. # ' Manufacturing Horror in Hitchcock's Psycho, ' Steven Schneider, pages 70 - 75. # ' Illusion and Deception in Cukor's Justine, ' Randall Clark, pages 76 - 79. # ' Looking at The Birds and Marnie Through the Rear Window, ' Robin Wood, pages 80 - 85. # ' Seeing and Believing: Sid Bernstein's German Atrocities Film and the Question of Hitchcock's Participation, ' Florence Jacobowitz, pages 86 - 88.

Issue #49
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June 1999Theme: [Class and Nation in Canadian Cinema] ' In This Issue [editor's note], ' Scott Forsyth, page 1. # ' John and the Missus: Progress, Resistance, and 'Common Sense', ' Malek Khouri, pages 2 - 11. # ' The Lace Bay Miners' Museum/Margaret's Museum: Adaptation and Resistance, ' Peter Urquhart, pages 12 - 18. # ' Rude, or the Elision of Class in Canadian Movies, ' John McCullough, pages 19 - 25. # ' Alanis Obomsawin, Documentary Form, and the Canadian Nation(s), ' Jerry White, pages 26 - 36. # ' Everybody Has His Reasons: John Sayles's City of Hope and Lone Star, ' Michael Walker, pages 37 - 50. # ' Divergent Dialogues: A Question of Subjectivity, ' Diane Sippl, pages 51 - 59. # ' Third Cinema in the 'First' World: Eve's Bayou and Daughters of the Dust, ' April Biccum, pages 60 - 65. # ' Julian Henriques's Babymother, ' Marcy Goldberg, pages 66 - 67. # ' Fantasy, Resistance, and Third Cinema, ' Scott Forsyth, pages 68 - 71.

Issue #48
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December 1998Theme: French New Wave - Contemporary World Cinema ' French New Wave: 40th Anniversary [editor's note], ' Florence Jacobowitz and Richard Lippe, pages 1 - 7. # ' Calculated Approximations of Probabilities: Rhetorical Strategies in the Late Films of Jean-Luc Godard, ' Peter Harcourt, pages 8 - 17. # ' Pre '59 New Wave: Polyphony and Paradigms, ' Julien Lapointe, pages 18 - 29. # ' Coping with Contempt Godard's Rejected Male and his Hollywood Prototypes, ' Brian Fairlamb, pages 30 - 41. # ' Cahiers de Rossellini, ' Izzy Greenberg, pages 42 - 46. Contemporary World Cinema: Toronto Film Festival Reviews 1997 # ' Humble Guests at the Celebration: An Interview with Thomas Vinterbeg and Ulrich Thomsen, ' Robin Wood, pages 47 - 54. # ' The Hole, ' Robin Wood, pages 54 - 57. # ' The Apple, ' Robin Wood, pages 57 - 60. # ' Ron Havilio's Fragments* Jerusalem, ' Florence Jacobowitz, pages 60 - 62. # ' An Interview with Satoshi Isaka on Detective Rico, ' Richard Lippe, pages 63 - 66. # ' A Conversation with Olivier Assayas on Fin aout, debut septembre, ' Mark Peranson, pages 66 - 72.

Issue #47
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September 1998Theme: Anything But Hollywood ' [editor's note], ' Susan Morrison, page 1. # ' Around the world in Eighty Minutes: The Travel Lecture Film, ' Jeffrey Ruoff, pages 2 - 11 # ' If it Moves - We'll Shoot It, ' Melinda Stone, pages 12 - 15. # ' Project 734: Digital Video and Non-Professional Filmmaking, ' Charles Tashiro, pages 16 - 23. # ' Flowers in the Dustbin: Termite Culture and Detritus Culture, ' Scott Mackenzie, pages 24 - 29. # ' Contesting Cinema: A Carmelo Bene Project, ' Marc Siegel, pages 30 - 35. # ' Pedro Almodovar on The Verge of a Pornographic Space, ' Brian K. Aurand, pages 36 - 44. # ' A 'Breakthrough' Film? Hal Hartley's Henry Fool, ' Sarah Phillips, pages 45 - 47. # ' Interview with Edward Yang, ' Shelly Kraicer and Lisa Roosen-Runge, pages 48 - 55. # ' Nationalism and Commercialism: Chinese Cinema's First Wave of Entertainment Films, ' Ying Zhu, pages 56 - 66. # CineACTION! Index issues 1 through 46, pages 67 - 72.

Issue #46
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June 1998Theme: The Western, Then and Now ' [editor's note], ' Robin Wood, page 1. # ' The Western: The Genre that Engenders the Nation, ' Garry Watson, pages 2 - 10. # ' Bury My Heart at Fort Apache, ' Tony French, pages 11 - 17. # ' 'One in a Thousand': Western Stars, Heroes, and their Guns, ' Brian Fairlamb, pages 18 - 25. # ' Man(n) of the West(ern), ' Robin Wood, pages 26 - 33. # ' A Tribute: Samuel Fuller and the Western, ' Richard Lippe, pages 34 - 39. # ' From Clementine to Mrs. Miller: In the Name of Progress, ' Ivan Yovanovich, pages 40 - 47. # ' Heaven's Gate Takes a Swing: Slamming the Capitalist Patrichy, ' Mickey Burns, pages 48 - 55. # ' Rewriting Revisionism: Clint Eastwood's Unforgiven, ' Peter E.S. Babiak, pages 56 - 63. # ' We Have Secrets: Borzage, Romance, and the Bourgeois State, ' Robert K. Lightning, pages 64 - 72.

Issue #45
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February 1998Theme: Canadian Cinema; Festivals ' [editor's note], ' Scott Forsyth, pages 1 - 2. # ' Faces Changing Colour Changing Canon, ' Peter Harcourt, pages 2 - 9. # ' Highway 61 Revisited, ' Chris Byford, pages 10 - 17. # ' To Act is to Be: Identity in Recent Quebec Cinema, ' Jerry White, pages 18 - 26. # ' Howard Hawks: The Grey Fox of Hollywood, ' Robin Wood, pages 27 - 29. # ' Lesbian Desires: Bound and Invested, ' Jean Noble, pages 30 - 39. Toronto Film Festival Reviews 1997 # ' Nil By Mouth and Gummo, ' Susan Morrison, pages 41 - 45. # ' Exile Shanghai, ' Florence Jacobowitz, pages 46 - 49. # ' Revolutionary Love and Post-Communist Murder: Amor Vertical and A Friend of the Deceased, ' Scott Forsyth, pages 50 - 51. # ' Gay Movies, West and East: In and Out and Happy Together, ' Richard Lippe, pages 52 - 59. # ' Wolves Cry Under the Moon, ' Robin Wood, pages 60 - 61. # ' Visible Cities, Invisible Freedoms: Uncut, City of Dark and Exile in Sarajevo, ' Marcy Goldberg, pages 61 - 65. # ' A Report on Screens: New Sites for Crosscultural Media [Riot in the Streets, Oz, Girls in Prison, America's Dream, A Day Without a Mexican Nightjohn ], ' Diane Sippl, pages 65 - 72. Riot in the Streets, Oz, Girls in Prison, America's Dream, A Day Without a Mexican Nightjohn

Issue #44
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1997

Issue #43
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July 1997Theme: Films of the 90s ' [editor's note], ' Scott Forsyth, page 1. # Photo essays on Arthur Penn and Michelle Pfeiffer, pages 2 - 3. # ' The Spectres Emerge in Daylight, ' Robin Wood, pages 4 - 13. # ' Todd Haynes's Safe: Illness as Metaphor in the 90s, ' Florence Jacobowitz and Richard Lippe, pages 14 - 17. # ' What's Love Got to Do With It? The Resilience of the Woman's Film, ' Robert K. Lightning, pages 18 - 31. # ' Lost Highway: Unveiling Cinema's Yellow Brick Road, ' Reni Celeste, pages 32 - 39. # Photo essay on four Taiwan films, pages 40 - 41. # ' The Virtues of Theft: Andre T&$233;chine's Thieves, ' Diane Sippl, pages 42 - 49. # ' The Magical World of the Ultimate Matriarch, ' Elen A. Bovkis, pages 50 - 57. # ' Videodrome and the Revenge of Repression, ' Marty Roth, pages 58 - 61. # ' Against Convention: Form and Narrative in Paul Ledue's Frida, ' Peter C. Knowles, pages 62 - 65. # ' Plotting the Revolution: Identity and Territory in Memories of Underdevelopment, ' Amy Beer, pages 66 - 72.

Issue #42
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February 1997Theme: Chinese Films [Mainland, Hong Kong, plus Toronto Film Festival] ' [editor's note], ' Susan Morrison and Scott Forsyth, page 1. # ' The Films of Ning Ying: China Unfolding in Miniature, ' Jerry White, pages 2 - 9. # ' Oppositional Politics of Chinese Everyday Practices, ' Monica Hulsbus, pages 10 - 14. # ' Music and Femininity in Zhang Yimou's Family Melodrama, ' Yanmei Wei, pages 15 - 17. # ' Allegory and Ambiguity in Zhang Yimou's Shanghai Triad, ' Shelly Kraicer, pages 18 - 27. # ' Centre-Stage: Reconstructing the Biopic, ' Julian Stringer, pages 28 - 39. # ' From Hong Kong to Hollywood: John Woo and His Discontents, ' Tony Williams, pages 40 - 46. # ' East - West Politics, ' Patrick Tan, pages 47 - 49. # ' Asian American Filmmakers: The Next Generation? Identity, Mimicry, and Transtextuality in Mina Shum's Double Happiness and Quentin Lee and Justin Lin's Shopping for Fangs, ' Edward R. O'Neill, pages 50 - 62. Toronto Film Festival Reviews 1996 # ' Irma Vepp, ' Susan Morrison, pages 63 - 65. # ' For Ever Mozart, ' David Thomas Lynch, pages 66 - 67. # ' Michael Collins, ' Scott Forsyth, pages 68 - 69. # ' Michelangelo Antonioni: The Later Years, ' Florence Jacobowitz and Richard Lippe, pages 70 - 72.

Issue #41
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October 1996Theme: Style ' Editorial [editor's note], ' Florence Jacobowitz and Richard Lippe, page 4. # ' The Little Space In Between: Preliminary Notes on Before Sunrise, ' Robin Wood, pages 4 - 13. # ' Style as Attitude: Two Films by Martin Scorsese, ' Richard Lippe, pages 14 - 21. # ' Rewriting Realism: Bergman and Rossellini in Europe 1949 - 1955, ' Florence Jacobowitz, pages 22 - 32. # ' Style and Narrative in Bertolucci's The Conformist, ' Michael Walker, pages 33 - 42. # ' Maintaining the Dual Perspective: Orson Welles and Chimes at Midnight, ' Peter E. S. Babiak, pages 43 - 49. # ' New Parents and Old: The Horrifying Lyricism of Dancing on Graves, ' Diane Sippl, pages 50 - 59. # ' Larry Cohen's Bone: Comic Strip as Radical Style, ' Tony Williams, pages 60 - 67. # ' Book Review: Cinema and Painting: How Art is Used in Film, ' Susan Morrison, pages 68 - 71.

Issue #40
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May 1996Themes: Re-Readings,: Five Films, and Do the Right Thing, a Spike Lee Dossier ' Editorial [editor's note], ' Robin Wood, page 2. # ' Has Gone With the Wind Gone With the Wind?, or, Can We Be Intelligent about the Past?, ' Tony French, pages 4 - 12. # ' Ikiru: The Role of Women in a Male Narrative, ' Elen A. Bovkis, pages 13 - 20. # ' Persona Psychoanalyzed, ' G?ran Persson, pages 22 - 31. With a brief forward by Robin Wood on page 21 # ' Confession as Betrayal: Hitchcock's I Confess as Enigmatic Text, ' Deborah Thomas, pages 32 - 37. # ' Lola Montes, ' Mickey Burns, pages 38 - 43. # ' Do The Right Thing: Generic Bases, ' Robert K. Lightning, pages 44 - 47. # ' By Any Meanings Necessary: Conflict and its Resolution in Do the Right Thing, ' Ted Kulczycky, pages 48 - 56. # ' Multiculturalism and Spike Lee's Mixed Messages, ' Mitchell Shore, pages 57 - 65. # ' More Than the Violence: A Reading of Intergenerational Relationships in Do the Right Thing and Jungle Fever, ' Cory Silverberg, pages 66 - 72.

Issue #39
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December 1995Theme: Contemporary World Cinema ' Contemporary World Cinema [editor's note], ' Scott Forsyth, page 2. # ' Doin' Diaspora, ' Warren Crichlow, pages 4 - 8. # ' Planet Africa: Three Shorts, ' Robert K. Lightning, pages 9 - 11. # ' Cuban Films and the Crisis of Socialism: 'Possible Endings', ' Scott Forsyth, pages 12 - 18. # ' House of Pain, ' Laura U. Marks, pages 19 - 37. # ' After the Celebration: Soul Survivor and the Discourse of Heritage, ' Rinaldo Walcott, pages 22 - 27. # ' Crack Vision, Ritual Charm, and Hybrid Culture in John L'Ecuyer'sCurtis's Charm, ' David McIntosh, pages 28 - 30. # ' The Films of Bela Tarr, ' David Thomas Lynch, pages 31 - 35. # ' Le Ceremonie: 'The Last Marxist Film' by Claude Chabrol, ' Florence Jacobowitz, pages 36 - 43. # ' La Haine, Fallen Angels, and Some Thoughts on Scorsese's Children, ' Susan Morrison, pages 44 - 50. # ' Wim Wender's Lisbon Story, ' Jesse Zigelstein, pages 51 - 53. # ' In Defence of Jean Seberg, ' Richard Lippe, pages 54 - 62. # ' Frisk and Doom Generation, ' Robin Wood, pages 63 - 65. # ' About Desolation Angels, or, Pack Your Bags, We're Going on an Ego Trip, ' Mickey Burns, pages 66 - 69. # ' Unstrung Families/Unstrung Heroes: A Meditation on Life, Death, Family, and Andie MacDowell's Nail Polish, ' Cory Silverberg, pages 70 - 72.

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