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CINEACTION See more: - Scholarly Journals from Canada - Mags first published in 1985 Scholarly Journal from Toronto, Canada published by CineAction! Collective, - First issue in 1985 -From Canada. - Provides "alternatives to what is generally available". - Published three times a year. - Editor: Robin Wood. - Website: cineaction.ca/

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CINEACTION , Issue #60 - Summer 2002 Issue #60 - Summer 2002Theme: East Asian Cinemas ' East Asian Cinemas [editor's note], ' Susan Morrison, page 1. # ' A Tale of Two Emperors: Mimicry and Mimesis in Two 'New Year's' Films from China and Hong Kong, ' Carlos Rojos, pages 2 - 9. # ' Hollywood and the Chinese Other, ' Tan Ye, pages 10 - 20. # ' To Live and Dye in China: The Personal and Political in Zhang Yimou's Judou, ' Vincent Brook, pages 21 - 29. # ' Interview with Jia Zhangke, ' Shelly Kraicer, pages 30 - 33. # ' Three Japanese Actresses of the 1950s: Modernity, Femininity, and The Performance of Everyday Life, ' Catherine Russell, pages 34 - 44. # ' Looking for Nostalgia: Memory and National Identity in Hou Hsiao-Hsien's A Time to Live, A Time to Die, ' I-Fen Wu, pages 45 - 51. # ' The Halfway House of Memory: An Interview with Hirokazu Kore-eda, ' Gabriel Paletz, pages 52 - 59. # ' South Korean Film Genres and Art-House Anti-Poetics: Erasure and Negation in The Power of Kangwan Province, ' David Scott Diffient, pages 61 - 71.

CINEACTION , Issue #59 - September 2002 Issue #59 - September 2002Theme: Max Ophus Centenary ' Max Ophus Centenary [editor's note], ' Florence Jacobowitz and Richard Lippe, pages 1 - 2. # ' In Memory: Billy Wilder, Jack Lemmon, ' author, page 3. # ' Circles of Delight and Despair: The Cinema of max Ophuls, ' Peter Harcourt, pages 4 - 13. # ' Plunging Off the Deep End into the Reckless Moment, ' Robin Wood, pages 14 - 19. # ' Falling Women and Fallible Narrators, ' Douglas Pye, pages 20 - 29. # ' Werther (Max Ophuls, 1938), ' Michael Walker, pages 30 - 39. # ' Yoshiwara: Max Ophuls in the Empire of Passion, ' Alexander Jacoby, pages 40 - 44. # ' Captivated by Garbo: Max Ophuls's Roman Interlude with The Duchess of Langeais, ' Lutz Bacher, pages 45 - 53. # ' 'Do I Disgust You?': Or, Tirez pas sur La Pianiste, ' Robin Wood, pages 54 - 61. # ' Icons and Subversion in the Westerns of Clint Eastwood, ' Peter E. S. Babiak, pages 62 - 68. # ' Book Review: Fred and Ginger: A Vision of Emersonian Hollywood? [review of Astaire and Rogers by Edward Gallafent], ' Jeffrey Crouse, pages 69 - 70. # Letter from Michael McKegney [on teen films], pages 71. # Response by Robin Wood, page 71.

CINEACTION , Issue #58 - June 2002 Issue #58 - June 2002Theme: World Cinema Since 1990 ' Editorial [editor's note], ' Robin Wood, page 1. # ' Party Time, or Can't Hardly Wait for that American Pie: Hollywood High School Movies of the 90s, ' Robin Wood, pages 2 - 10. # ' Time and Point of View in Contemporary Cinema, ' Temenuga Trifonova, pages 11 - 31. # ' Are You With Me? Unemployed Negativity in Mike Leigh's Naked, ' Garry Watson, pages 32 - 45. # ' The Import / Export Business: The Road to Abbas Kirostami's Taste of Cherry, ' Devin Orgeron, pages 46 - 51. # ' The Most Dangerous Game: Failed Male Friendship in Brian De Palma's Snake Eyes, ' author, pages 52 - 57. # ' Floating Desire, Floating Souls: Modern Cultural Landscape in Tsai Ming-Liang's Taipei Trilogy, ' I-Fen Wu, pages 58 - 64. # ' Chop Suey: Photographs to Remember You By, ' Richard Lippe, pages 65 - 67. # ' Beautiful People: In Praise of the Liberal State, ' Robert Lightning, pages 68 - 72. # Letter from Keith Withall [on Kippur], page 72. # Response by Florence Jocobowitz, page 72.

CINEACTION , Issue #57 - March 2002 Issue #57 - March 2002Theme: Canadian Film ' Canadian Films and More [editor's note], ' unsigned, page 1. # ' Canadian Cinema in the Age of Globalization, ' David L. Pike, pages 2 - 10. # ' STET, ' Mike Cartmell, pages 11 - 15. # ' Toward the Quebec Auteur: From Perault to Arcand, ' Georege Melnyk, pages 16 - 29. # ' The Party's Over: Rollercoaster, ' Robin Wood, pages 30 - 34. # ' 'In the Sun It All Looks Nice': A Note on Paul Almond's Isabel, ' Tony French, pages 35 - 41. # ' Persistence of Vision: The Wonderful World of John Paizs, ' Robert L. Cagle, pages 42 - 49. # ' The New Face of British Heritage, ' Deborah Tudor, pages 50 - 57. # ' Distance: Hirokazu Kore-eda, ' Susan Morrison, pages 58 - 59. # ' The Intimate Screen: Dogme and Beyond, ' Diane Sippl, pages 60 - 68. # ' Book Review: Cinema's Recounting of the Ordinary [Andrew Kleven's 0Disclosure of the Everyday], ' Jeffrey Crouse, pages 69 - 71.

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