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FILMMAKER

The Magazine Of Independent Film

Page last updated: 35 days ago
(15 May 2013)

Subject: General,

Special thanks for this page goes to:
Garry Malvern

General, Quarterly magazine from New York, United States published by Filmmaker,

- 83 issues are listed in the moviemags.com database. (full listing).
- Devoted to independent films.
- Editor: Scott Macaulay.
- Published 4 times per year. 114 color A4 pages.
- Website: www.filmmakermagazine.com

Showing: 83 issues

Issues by year: 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013

Issue #83
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April/May/June 2013
Dated: Spring 2013

Issue #82
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February/March 2013
Dated: Winter 2012

Issue #81
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November/December 2012/January 2013
Dated: Fall 2012

Issue #80
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August/September/October 2012
Dated: Summer 2012

Issue #79
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May/June/July 2012
Dated: Spring 2012Wes Anderson
Lena Dunham - Girls
Lynn Shelton - Your Sister's Sister
PLUS: Jessica Yu, Vikram Gandhi, Andrew Dosunmu... and more!

Issue #78
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December 2011/January/February 2012

Issue #77
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September/October/November 2011

Issue #76
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June/July/August 2011

Issue #75
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March/April/May 2011

Issue #74
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Dec/January/February 2011

Issue #73
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September/October/November 2010Darren Aronofsky's Black Swan
James Franco's Danny Boyle's 127 Hours
Derek Cianfrance's Blue Valentine
PLUS: Olivier Assayas' Carlos... and more!

Issue #72
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June/July/August 2010

Issue #71
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March/April/May 2010

Issue #70
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Dec/January/February 2010

Issue #69
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September/October/November 2009

Issue #68
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Issue #67
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Issue #66
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Issue #65
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Issue #64
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June/July/August 2008

Issue #63
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Issue #62
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Issue #61
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September/October/November 2007

Issue #60
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Issue #59
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Issue #58
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Dec/January/February 2007

Issue #57
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Issue #56
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Issue #55
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March/April/May 2006

Issue #54
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Dec/January/February 2006BRING THAT BEAT BACK: When Dave Chappelle needed someone to film what he planned as the greatest hip-hop concert ever, he called Eternal Sunshine genius Michel Gondry. The result is not only a great concert film but also a fantastic portrait of the actor/comedian as he harnesses the healing power of music. By Matthew Ross
THE SCHIZOID MAN: Director Richard Linklater creates an animated allegory for our times with A Scanner Darkly, an adaptation of sci-fi great Philip K. Dick's darkly comic tale about drug-using undercover agents. By Scott Macaulay PLUS: The ins and outs of Scanner's postproduction.
SHOW ME LOVE: Cinematic provocateur Caveh Zahedi continues to turn his life into art with I Am a Sex Addict, a wickedly clever new autobiographical comedy. By Andrew Bujalski.
PLUS: Zahedi's self-distribution manifesto.
AGGRESSIVE TENDENCIES: In his riveting and informative new doc, Why We Fight, filmmaker Eugene Jarecki takes a revealing personality profile of America and the military-industrial complex it supports. By Matthew Ross
EIGHT HOURS ARE NOT A DAY: With Bubble, the first in a series of low-budget HD features, Steven Soderbergh reunites with his Full Frontal screenwriter Coleman Hough to explore the mysteries of wage labor. By Matthew Ross
THE WALKING DEAD: With The Three Burials of Melquiades Estrada, Tommy Lee Jones has moved his laconic, hard-weathered persona behind the camera to tell a simple, moving story about race and class in the vanishing West. By Jason Guerrasio
ONE SHOT WONDERS: Shooting in their Belgian hometown and focusing their intense dramas on people in crisis, the Dardenne Brothers tell simple stories with big dramatic impacts. Their latest, L'Enfant, deals with illegal adoption and is their second Palme d'Or winner. By Tom Gilroy
THE WAR WITHIN: With his second feature, the challenging and sexually provocative Battle in Heaven, Jap?n director Carlos Reygadas confirms his status as one of the boldest film storytellers of his generation. By Matthew Ross
RUDE BOY: Adapting the Athol Fugard novel set among the South African underclass, Tsotsi director Gavin Hood and debuting screen actor Presley Chweneyagae have created a cinematic punch to the gut. By Matthew Ross

Issue #53
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September/October/November 2005PRIME TIME: With Good Night, and Good Luck and Syriana, George Clooney continues to defy the expectations of Hollywood stardom. Matthew Ross speaks with Clooney.
CASUALTIES OF FAME: Wiith a deeply layered performace by Philip Seymour Hoffman, Bennett Miller's Capote explores the great cost of artistic creation. By Peter Bowen.
THE WILD MAN: Matthew Ross talks with master cinematographer Chris Doyle about Asian pride and the problem with America.
RIDE THE HIGH COUNTRY: After two grueling epic movies, Ang Lee makes Brokeback Mountain, a small film with an awfully big heart about gay cowboys. By Peter Bowen.
THE PARENT TRAP: Noah Baumbach's Sundance Award-winning The Squid and the Whale is a richly observed, semi-autobiographical tale about a Brooklyn family struggling with divorce in the 1980s. By Howard Feinstein.
NEW GIRL IN TOWN: Walter Salles speaks with Scott Coffey, who's made a sly and hilarious ode to the world of struggling L.A. actors with Ellie Parker.
ASIA EXTREME: For her second feature, The Heart Is Deceitful Above All Things director and actress Asia Argento pushes limits with a harrowing depiction of child abuse adapted from the JT Leroy story collection. Travis Crawford catches up with Argento.
A QUESTION OF CONTROL: Chris Cunningham may be the most important film- maker who has not yet made a feature. While we wait, he's released a new short, 'Rubber Johnny,' and extends his mastery of special effects to new dimensions. By Dan Ouellette.
MASCULINE/FEMININE: Duncan Tucker's Transamerica, about a pre-op transsexual's relationship with his newly discovered son, premiered under the radar at Berlin before landing a deal with the Weinstein Company and IFC. Jason Guerrasio details the making of the film.

Issue #52
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June/July/August 2005

Issue #51
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Issue #50
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Dec/January/February 2005

Issue #49
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Issue #48
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Issue #39
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Issue #38
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Issue #37
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Issue #36
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June/July/August 2001

Issue #35
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March/April/May 2001

All magazine covers are copyrighted by their publishers. No rights are given or implied. They are presented here for their historical significance and the edification of magazine fans and collectors, everywhere.