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SIGHT AND SOUND (30s-90s)

The Film Quarterly

Page last updated: 42 days ago
(12 April 2013)

Special thanks for this page goes to:
Garry Malvern
Pierre Greenfield

Quarterly magazine from United Kingdom published by British Film Institute (BFI),

- First and last issue: 1932-1991
- 244 issues are listed in the moviemags.com database. (full listing).
- Incorporating Monthly Film Bulletin since May 1991 (Vol. 1 no.1).
- Monthly since May 1991 (Vol. 1 no.1).
- From the same publisher: Bfi Films On Offer, Bfi Membership News, Bfi Newsreel, Bfi Southbank Guide, Black Film Bulletin, Contrast, Critics Choice, Eyeline, Framework, Monthly Film Bulletin, Monthly Film Strip Review, News From The British Film Institute, Nft Essential Cinema, Nft Jewish Film Festival, Nft Newsletter, Pix (90s), Screen Guide (bfi), Sight And Sound,

Showing: 4 issues from 1988

Issues by year: 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991

Issue #235
Sold:
Vol 57 #4 Autumn 1988David Mamet's THINGS CHANGE and Alan Rudolph's THE MODERNS set reports. Anthony Smith, the director of the British Film Institute, profiled. John Boorman on the television masterclasses given by Jack Gold, Mamoun Hassan and Lindsay Anderson. Orson Welles's 'unfinished' DON QUIXOTE. Abraham Polonsky and Elia Kazan - the effect of HUAC hearings. Ralph Ince - neglected innovator. Indian cinema in Britain. Edward S. Curtis - pioneer documentary filmmaker. Films reviewed: THE LAST TEMPTATION OF CHRIST; DISTANT VOICES, STILL LIVES; AU REVOIR LES ENFANTS; YEELEN; THE SICILIAN; WHO FRAMED ROGER RABBIT.

Issue #234
Sold:
Vol 57 #3 Summer 1988Video workshops: Amber, the Women's Independent Cinema House (WITCH), the all-Asian Retake. John Boorman on the Oscar season. Producer Jeremy Thomas profiled. Sergei Eisenstein - reassessed and a tribute to Jay Leyda by Ian Christie. Tony Rayns on the embattled film production centres of Bangkok and Manila. Blacklist - reconsidering the McCarthy years - three new films. Philip Kaufman's Milan Kundera adaptation THE UNBEARABLE LIGHTNESS OF BEING celebrated. Films reviewed: L'AMI DE MON AMIE; 4 AVENTURES DE REINETTE ET MIRABELLE; COP; GOOD MORNING, VIETNAM; A VERY PECULIAR PRACTICE; TALKING HEADS.

Issue #233
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Vol 57 #2 Spring 1988Anthony Smith on film preservation. Preview of London's (now closed) Museum of the Moving Image. Conspiracy theme in recent British thrillers and Alan Plater's A VERY BRITISH COUP. The banning of Fred Wiseman's TITICUT FOLLIES. Patricia Highsmith interviewed. Gabriel Axel interviewed about Dinesen's BABETTE'S FEAST. Christine Edzard on her adaptation of Charles Dickens' LITTLE DORRIT. Video Art and Television. Hiroshi Shimizu. Germans abroad - Werner Herzog's COBRA VERDE, Wim Wenders' TOKYO-GA, Percy Adlon's BAGDAD CAFe. Andre Antoine. Films reviewed: THE LAST EMPEROR; THE GLASS MENAGERIE; WALL STREET; BROADCAST NEWS; EMPIRE OF THE SUN; IRONWEED.

Issue #232
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Vol 57 #1 Winter 1988Channel 4. Sheila Whitaker's first London Film Festival reviewed. Director-General of the British Videogram Association, Norman Abbott, interviewed. Fred Zinnemann remembers the making of FROM HERE TO ETERNITY. Bill Forsyth's HOUSEKEEPING. The history of stereo sound and the cinema. The political implications of David Attenborough's CRY FREEDOM by Anthony Sampson. Picturespread from John Schlesinger's MADAME SOUSATZKA with Shirley Maclaine. Tokyo's new satirists. Douglas Sirk's early German films. Indian film posters. Films reviewed: THE BEEKEEPER; SAMMY AND ROSIE GET LAID; ROBOCOP; THE DEAD; WHITE MISCHIEF; GARDENS OF STONE.

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