Issue 91
Summer
Contents
Wippet Good ⢠A Conversation Between Don McKellar and David Cronenberg on Crimes of the Future
Endless Night ⢠Dark Glasses and the Remnants of Dario Argentoâs Mad Poetry of Terror
Ordinary Beauty ⢠On Helke Misselwitz
Revelations by Sunlight ⢠Colectivo los ingrĂĄvidosâ The Sun Quartet
Send in the Clowns ⢠Qiu Jiongjiong on A New Old Play
Cheesy Movies ⢠On Mystery Science Theater 3000
The Natives Are Restless ⢠Cannesâ Diamond Jubilee and Albert Serraâs Pacifiction
Triangle of Sadness ⢠Ruben Ăstlund, Sweden/France/UK/Germany/Turkey
Stars at Noon ⢠Claire Denis, France
EO ⢠Jerzy Skolimowski, Poland/Italy
Gross Anatomy ⢠VÊrÊna Paravel & Lucien Castaing-Taylor on De Humani Corporis Fabrica
Will-oâ-the-Wisp ⢠JoĂŁo Pedro Rodrigues, Portugal/France
Men ⢠Alex Garland, UK
A Cinema of Care ⢠The Films of Janis Cole and Holly Dale
Living in Intersected Times ⢠Moving Images at the Venice Biennale
In Transit ⢠Jim Jennings (1951-2022)
Lessons in Oppression
HIT THE ROAD ⢠Panah Panahi, Iran
EVERYTHING EVERYWHERE ALL AT ONCE ⢠Daniel Kwan and Daniel Scheinert, US
APOLLO 10½: A SPACE AGE CHILDHOOD ⢠Richard Linklater, US
THE PLAINS ⢠David Easteal, Australia
THE NORTHMAN ⢠Robert Eggers, US
Wippet Good ⢠A Conversation Between Don McKellar and David Cronenberg on Crimes of the Future Endless Night ⢠Dark Glasses and the Remnants of Dario Argentoâs Mad Poetry...
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Issue 92
Fall
Contents
Take These Broken Wings ⢠Kelly Reichardt on Showing Up
Telling the Truth Can Be Dangerous Business ⢠The Overdue Enshrinement of Elaine May
Can the Centre Hold? ⢠The Films of Adirley Queirós
The Sea Inside ⢠Helena Wittmann on Human Flowers of Flesh
Satanâs Limbo ⢠Alexander Sokurovâs Fairytale
Timely Circumstances ⢠Cyril Schäublin on Unrest
Myths of New England ⢠On Michael Roemerâs Vengeance Is Mine
The Motern Method ⢠The Films of Matt Farley and Charlie Roxburgh
What Is Cinema? ⢠Olivier Assayas on Irma Vep
Finding Fielder ⢠The Rehearsal
Bolognaâs Bounty
Peter Brook ⢠Flickers of Life
British Sounds ⢠On The Afterimage Reader
Evidence Visible from a Distance ⢠Tacita Dean on Fata Morgana
AFTERSUN ⢠Charlotte Wells, UK/US
ALCARRĂS ⢠Carla SimĂłn, Spain/Italy
ENYS MEN ⢠Mark Jenkin, UK
UN ĂTĂ COMME ĂA ⢠DĂŠnis CĂ´tĂŠ, Canada
FIRE OF LOVE ⢠Sara Dosa, US/Canada
NOPE ⢠Jordan Peele, US
Take These Broken Wings ⢠Kelly Reichardt on Showing Up Telling the Truth Can Be Dangerous Business ⢠The Overdue Enshrinement of Elaine May Can the Centre Hold? â˘...
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Issue 93
Winter
Contents
Editorâs Note
PHOTO CREDITS
Entre Nous ⢠Alice Diop on Saint Omer
The Asocial Network ⢠Argentine Noir, Borges, and the Labyrinth without a Centre
The Pyramid of Power ⢠Todd Field on Tår
Against Interest ⢠Pierre ClÊmenti, Filmmaker
In the Bedroom ⢠Bertrand Bonello on Coma
Exhausted ⢠On Juliet Bashoreâs Kamikaze Hearts
A Life of Love and Adventure ⢠Laura Citarella on Trenque Lauquen
Alter Egos ⢠On A Woman Escapes
Matters of Fact ⢠Antoine Bourges on Concrete Valley
The Adventures of Gigi the Law ⢠Alessandro Comodin, Italy/France/Belgium
The Eternal Daughter ⢠Joanna Hogg, US/UK
I Have Electric Dreams ⢠Valentina Maurel, Costa Rica/Belgium/France
The Maiden ⢠Graham Foy, Canada
Poet ⢠Darezhan Omirbaev, Kazakhstan
Viking ⢠StÊphane Lafleur, Canada
Larsâ Anatomy ⢠The Kingdom Returns
Godard, Tanner, and Switzerland
La France contre les robots ⢠Straubâs Final Film(s)
ALL THE BEAUTY AND THE BLOODSHED ⢠Laura Poitras, US
ARMAGEDDON TIME ⢠James Gray, US
WHITE NOISE ⢠Noah Baumbach, US
WOMEN TALKING ⢠Sarah Polley, US
Editorâs Note PHOTO CREDITS Entre Nous ⢠Alice Diop on Saint Omer The Asocial Network ⢠Argentine Noir, Borges, and the Labyrinth without a Centre The Pyramid of Power...
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