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CINEACTION
Quarterly Scholarly Journal from Toronto ,Canada
Ceased publication

- First and last issue: 1985-2016
- Provides "alternatives to what is generally available".
- Published three times a year.
- Editors: Robin Wood (1985-2007), Scott Forsyth, Florence Jacobowitz, Richard Lippe and Susan Morrison..
- Published by CineAction! Collective
- Website: cineaction.ca/

Last updated:
8 February 2022
(see recent updates)

Special thanks for this page goes to:
Garry Malvern
Peter
Scott Matheson

COVERS FOUND & MISSING

Info from the Database

Highslide JS Listing is complete and all covers have been found.

See The listing

CONTENTS: 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 All

GALLERIES: 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 All

Issue 62
October 2003

Theme: Close Readings ' Questions of Value [editor's note], ' Robin Wood, page 1. # ' Unanswered Questions: Vision and Experience in Terrence Malick's The Thin Red Line, ' Jacob Leigh, pages 2 - 14. # ' The Purpose of Plot and the Place of Joan Bennett in Fritz Lang's The Woman in the Window, ' Andrew Kleven, pages 15 - 21. # ' The Age of Innocence: Martin Scorsese, 1993, ' Deborah Thomas, pages 22 - 33. # ' Love Hurts: Redemption within the Bowels of Seil contre tous and the Cinema of Aggression, ' Dion Tubrett, pages 34 - 40. # ' In Search of the Code inconnu, ' Robin Wood, pages 41 - 49. # ' Apocalypse Then: Lessons of Darkness Revisited, ' Adam Bingham, pages 50 - 53. # ' Vive le Cinema: A Reading of What Time is it There?, ' Aysegul Koc, pages 54 - 57. # ' ... Simply Because You're Near Me: Love, Chungking Expresss and In the Mood for Love, ' Blair Miller, pages 58 - 66. # ' Music and Modernity in A Brighter Summer Day, ' Saul Austerlitz, pages 67 - 70. # Letter from Alexander Jacoby [on Catherine Russell's article on Ozu], page 72. # Response from Robin Wood, page 72.

Issue 61
February 2003

Theme: New Canadian Cinema ' New Canadian Cinema [editor's note], ' Scott Forsyth, page 1. # ' Wotcha Lookin' at, Anyway? An Examination of Point-of -View in Denys Arcand's Stardom, ' Peter Harcourt, pages 2 - 9. # ' Quebec's Next Generation: From Lauzon to Turpin, ' George Melnyk, pages 10 - 17. # ' Blood in the Maple Syrup: Canon, Popular Culture, and the Canuxploitation of Julian Roffman, ' Aaron Taylor, pages 18 - 28. # ' Charting the Course of the Pacific New Wave, ' Diane Burgess, pages 29 - 33. # ' Interview with R. Bruce Elder, ' Aysegul Koc, pages 34 - 39. # ' Beyond the Homeland: A Comparative Introduction to Latino Film in Canada and the US, ' Elena Feder, pages 40 - 51. # ' Seeing and Being Seen in Media Culture: Shelley Niro's Honey Moccasin, ' Darrell Varga, pages 52 - 57. # ' Border Crossings: Representations of North American Culture in Bruce McDonald's Highway 61, ' Rochelle Simmons, pages 58 - 61. Toronto Film Festival Reviews 2002 # ' The Consequences of Seduction: Adolph, ' Florence Jacobowitz and Richard Lippe, pages 62 - 64. # ' The Intended, ' Robin Wood, pages 64 - 65. # ' Unknown Pleasures, ', Shelly Kraicer, pages 65 - 66. # ' Making and Remaking Class in Ken Loach's Recent Films, ' Scott Forsyth, pages 66 - 67. # ' Fruit Chan's 'Excremental Vision': Public Toilet, ' Susan Morrison, pages 67 - 68. International Film Festival Mannheim-Heidelberg # ' When Fiction Turns Real: Suspending Disbelief, ' Diane Sippl, pages 68 - 70. # ' Book Review: Alan King, Filmmaker, ' Janice Kaye, pages 71.

Issue 60
2003

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