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CINEMA JOURNAL
Quarterly Scholarly Journal from Austin ,United States


- First issue: 1961
"Cinema Journal publishes essays on a wide variety of subjects from diverse methodological perspectives."
- Continues JOURNAL OF THE SOCIETY OF CINEMATOLOGISTS (ISSN: 1550-0349).
- Published by University of Texas Press
- Website: www.utexas.edu/utpress/journals/jcj.html

Last updated:
17 April 2019

Recent updates


Special thanks for this page goes to:
Garry Malvern
Scott Matheson

COVERS FOUND & MISSING
Info from the Database
Listing is not complete, so it is not known what is missing.
There are 98 issues listed in the database

Info from the Cover Gallery
Covers found: 90
Covers missing: Not known
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CONTENTS: 1970 1973 1979 1983 1987 1988 1989 1993 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 GALLERIES: 1970 1973 1979 1983 1987 1988 1989 1993 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 All

Vol 57 No 4
Summer 2018


Vol 57 No 3
Spring 2018


Spring 2018


Vol 57 No 2
Winter 2017


Vol 56 No 2
Winter 2017


Contents

Winter 2017


Vol 57 No 1
Fall 2017


Vol 56 No 4
Summer 2017


Vol 56 No 3
Spring 2017


Contents

Spring 2017


Vol 56 No 1
Fall 2016


Vol 55 No 4
Summer 2016


Vol 55 No 3
Spring 2016


Vol 55 No 2
Winter 2015


Vol 55 No 1
Fall 2015


Vol 54 No 3
Spring 2015


Issue 2
2014


Issue 209
Vol 53 #1 2013


Issue 208
Vol52 #4 2013


Issue 207
Vol52 #3 2013


Issue 206
Vol52 #2 2013


Issue 205
Vol 52 #1
2012


Issue 204
Vol51#4
2011


Issue 203
Vol51#3
2012


Issue 202
Vol51#2
2012


Issue 201
Vol51#1
Fall 2011


Issue 200
Vol50#4
Summer 2011


Issue 199
Vol50#3
Spring 2011


Issue 198
Vol50#2
Winter 2011


Issue 197
Vol 50 # 1 Fall 2010


Issue 196
Vol 49 # 4 Summer 2010
The Subject of Torture: Regarding the Pain of Americans in Hostel
Jason Middleton
Reassuring Convergence: Online Fandom, Race, and Disney's Notorious Song of the South
Jason Sperb
No Longer Themselves? Framing Digitally Enabled Posthumous "Performance"
Lisa Bode
Soviet-Indian Coproductions: Ali Baba as Political Allegory
Masha Salazkina
The Digital Multitude
Kristen Whissel
City of Women: Busby Berkeley, Architecture, and Urban Space
Lucy Fischer
Conference Report: The Radio Conference: A Transnational Forum York University, Toronto, Canada, July 27-30, 2009 submitted by Jason Loviglio
In Focus: The French New Wave at Fifty: Pushing the Boundaries edited by Ginette Vincendeau
Book Reviews: Global Waves edited by Amanda Lotz
Society for Cinema and Media Studies' Statement of Fair Use Best Practices for Media Studies Publishing


Issue 195
Vol 49 # 3 Spring 2010
TV, Time, and the Films of Andy Warhol
Graig Uhlin
Postfeminist Cliques? Class, Postfeminism, and the Molly Ringwald-John Hughes Films
Anthony C. Bleach
"Two Ways of Looking": The Critical Reception of 1940s Horror
Mark Jancovich
The Central Board of Film Certification Correspondence Files (1992-2002): A Discursive Rhetoric of Moral Panic, "Public" Protest, and Political Pressure
Nandana Bose
Conference Report: Comic Arts Conference at the San Diego Comic-Con, July 23-26, 2009
submitted by Greg M. Smith
Professional Development Dossier: Passion, Politics, and People
Karen Beckman
In Focus: China's Rise
edited by Michael Curtin
Book Reviews: Chinese Media
edited by Amanda Lotz
Society for Cinema and Media Studies Membership Directory


Issue 194
Vol 49 # 2 Winter 2010
"I Do Exist": From "Black Insurgent" to Negotiating the Hollywood Divide-A Conversation with Julie Dash
Michael T. Martin
Flaming the Fans: Shame and the Aesthetics of Queer Fandom in Todd Haynes's Velvet Goldmine
Chad Bennett
Dangerous Fictions: Race, History, and King
Jennifer Fuller
Batman versus The Green Hornet: The Merchandisable TV Text and the Paradox of Licensing in the Classical Network Era
Avi Santo
"Tryin' To Get Over": Super Fly, Black Politics, and Post-Civil Rights Film Enterprise
Eithne Quinn
Contraband Cinema: Piracy, Titanic, and Central Asia
Barbara Klinger
Festival Review: The 21st Pan-African Film and TV Festival (FESPACO), February 28-March 7, 2009 Ouagadougou, Burkina Faso submitted by Chris Lippard
In Focus: Cinephilia edited by Mark Betz
Book Reviews: Cinephilia & the Post-European Auteurs edited by Amanda D. Lotz


Issue 193
Vol 49 # 1 Fall 2009
Avant-Garde Re-Enactment: World Mirror Cinema, Decasia, and The Heart of the World
Michele Pierson
"Noble and Uplifting and Boring as Hell": Asian American Film and Video, 1971-1982
Jun Okada
Looking for Vito
Michael Schiavi
What's the Deal With Soundtrack Albums? Metal Music and the Customized Aesthetics of Contemporary Horror
Joseph Tompkins
Undesirable Bodies and Desirable Labor: Documenting the Globalization and Digitization of Transnational American Dreams in Indian Call Centers
Dale Hudson
Sports of Spectatorship: Boxing Women of Color in Girlfight and Beyond
Camilla Fojas
Conference Report: Futures of Entertainment 3, November 21-22, 2008, Massachusetts Institute of Technology, Cambridge, MA
submitted by Derek Kompare
SCMS Lifetime Membership Address, March 6, 2008, Philadelphia, PA: Stepping Sideways edited by Thomas Elsaesser
In Focus: SCMS at Fifty, edited by Lucy Fischer
Book Reviews: SCMS at Fifty


Issue 192
Vol 48 # 4 Summer 2009
Electric Homes! Automatic Movies! Efficient Entertainment!: 16mm and Cinema's Domestication in the 1920s
Haidee Wasson
Contemporary Hollywood Masculinity and the Double-Protagonist Film
David Greven
Reading the Title Sequence (Vorspann, Generique)
Georg Stanitzek
Narnia as a Site of National Struggle: Marketing, Christianity, and National Purpose in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
James Russell
The Crowd Outside the Lettered City: Imagining the Mass Audience in 1920s India
Manishita Dass
Conference Report: Console-ing Passions, University of California-Santa Barbara, April 24-26, 2008
submitted by Moya Luckett
In Focus: Fandom and Feminism: Gender and the Politics of Fan Production
edited by Kristina Busse
Book Reviews: Feminist Film and Media Studies
edited by Amanda D. Lotz
Annotated Index to Volume 48


Issue 191
Vol 48 # 3 Spring 2009
The Unadapted: Warner Bros. Reads Zora Neale Hurston
Elizabeth Binggeli
Indie Culture: In Pursuit of the Authentic Autonomous Alternative
Michael Z. Newman
Japan's Blair Witch: Restraint, Maturity, and Generic Canons in the British Critical Reception of Ring
Daniel Martin
Lives Aquatic: Mediterranean Cinema and an Ethics of Underwater Existence
Elena Past
In Memoriam: Manny Farber, 1917-2008
Robert Sklar
Conference Report: The 17th Annual Screen Conference, July 4-6, 2008 Glasgow, Scotland submitted by Will Straw
Teaching Dossier: Assignment Design edited by Kevin Sandler
Response to the In Focus Dossier on the British Film Institute
Andrew Lockett and Rob White
In Focus: Moving Between Platforms: Film, Television, Gaming, and Convergence
edited by Jonathan Gray
Book Reviews: Gaming
edited by Amanda D. Lotz
Society for Cinema and Media Studies Membership Directory


Issue 190
Vol 48 # 2 Winter 2009
"Wait for the Next Pictures": Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips
Josh Lambert
Renoir and Murder
Karla Oeler
Herzog, Landscape, and Documentary
Eric Ames
Taking Hollywood Back: The Historical Costume Drama, the Bio-Pic, and Popular Front U.S. Film Criticism
Chris Robe
John Wayne as "Supercrip": Disabled Bodies and the Construction of "Hard" Masculinity in The Wings of Eagles
Russell Meeuf
Conference Report: Orphans Take Manhattan: The 6th Biannual Orphan Film Symposium, March 26-29, 2008 New York City submitted by Devin Orgeron
In Focus: Media Studies and the Digital Humanities
Edited by Tara McPherson

Book Reviews: BFI Film Classics, edited by Amanda D. Lotz



Issue 189
Vol 48 # 1 Fall 2008
Examples in Theory: Interpassive Illustrations and Celluloid Fetishism
Boaz Hagin
The New Wave Meets the Tradition of Quality: Jacques Demy's The Umbrellas of Cherbourg
Rodney Hill
"Feed Me!": Power Struggles and the Portrayal of Race in Little Shop of Horrors
Marc Jensen
Pop Go the Warner Bros., et al.: Marketing Film Songs during the Coming of Sound
Katherine Spring
The Eye of the Frog: Questions of Space in Films Using Digital Processes
Deborah Tudor
Conference Report: Border Crossings: Rethinking Silent Cinema, February 8-10, 2008, University of California, Berkeley, submitted by Steve Choe
In Focus: Sound Studies, edited by Michele Hilmes
Book Reviews: Sound Studies, edited by Amanda D. Lotz


Issue 188
Vol 47 # 4 Summer 2008
The Creature from the Black Lagoon: Marilyn Monroe and Whiteness
Lois Banner
The Visual Re-creation of Black People in a "White" Country: Oscar Micheaux and Swedish Film Culture in the 1920s
Tommy Gustafsson
Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema
Margaret Hillenbrand
Nothing on But Hoppy Badges: Hopalong Cassidy, William Boyd Enterprises, and Emergent Media Globalization
Michael Kackman
Noir Citizenship: Anthony Mann's Border Incident
Jonathan Auerbach
In Focus: The British Film Institute, edited by Toby Miller
Who Are These People? By Toby Miller
The British Film Institute by Geoffrey Nowell-Smith
After the flood: BFI Publishing beyond the BFI
Rebecca Barden Reponds
Cultural Strategies: Publishing at the British Film Institute by Manuel Alvarado and Edward Buscombe
Whatever Happened to BFI Publishing? by Pam Cook
Implementing Cultural Policy: The Case of the BFI Distribution Library by Colin McArthur
In the Dark: The BFI Archive by Charlotte Brunsdon
In For a Downer? Notes on Some British Film Institute Feature Film Productions of the 1980s by Bill Grantham
Archival News
Scott Higgins and Sara Ross
Professional Notes
Kirsten Moana Thompson (with Terri Ginsberg)
Cinema Journal Annotated Index to Volume 47


Issue 187
Vol 47 # 3 Spring 2008
Becoming Clifton Webb: A Queer Star in Mid-Century Hollywood
Leonard Leff
"The More You Look, the Less You Really Know": The Redemption of White Masculinity in Contemporary American and French Cinema
Judith Franco
National, Regional, and Global: New Waves of Latin American Cinema
Luisela Alvaray
What the Shadow Knows: Race, Image, and Meaning in Shadows (1922)
Alice Maurice
The Price of Heaven: Remaking Politics in All that Heaven Allows, Ali: Fear Eats the Soul, and Far from Heaven
Salome Aguilera Skvirsky
In Focus: The Place of Television Studies: A View from the British Midlands, edited by Charlotte Brunsdon and Ann Gray
Is Television Studies History? by Charlotte Brunsdon
"Television Resurrections": Television and Memory by Amy Holdsworth
Feeling Sentimental about Television and Audiences by Helen Wood and Lisa Taylor
Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies by Rachel Moseley and Helen Wheatley
Television Studies Goes Digital by James Bennett
Archival News
Scott Higgins and Sara Ross
Professional Notes
Kirsten Moana Thompson (with Terri Ginsberg)
Society for Cinema and Media Studies Membership Directory

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