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JOURNAL OF BRITISH CINEMA AND TELEVISION
Quarterly Scholarly Journal from United Kingdom


- First issue: 2004
- British Cinema and Television.
- "Themed issues alternate with general ones".
- "Each issue contains a wide range of articles, substantial book reviews and conference reports, an in-depth interview with a leading practitioner in the field, and a section intended to encourage debate amongst those studying British cinema and television."
- Published by Edinburgh University Press
- Website: www.eup.ed.ac.uk

Last updated:
23 April 2019

Recent updates


Special thanks for this page goes to:
Pierre Greenfield
Garry Malvern
Scott Matheson

COVERS FOUND & MISSING
Info from the Database
Listing is not complete, so it is not known what is missing.
There are 10 issues listed in the database

Info from the Cover Gallery
Covers found: 10
Covers missing: Not known
See The listing

CONTENTS: 2010 2011 2012 2013 2014 2015 2018 2019 GALLERIES: 2010 2011 2012 2013 2014 2015 2018 2019 All

Vol 16 No 1
2019


Vol 15 No 3
2018


Vol 12 No 3
2015


Vol 11 No 4
2014


Vol 10 #4
2013


Vol 9 # 4
October/November/December 2012


Vol 9 # 3
July/August/September 2012


Vol 9 # 2
April/May/June 2012
Contents include:The Nature Of The Exile: Discourse And Power in THE THIEF OF BAGDAD (article by Gabor Gergely); From Shorty Blake To Tubby Binns: DUNKIRK And The Representation Of Working-Class Masculinity In Post-War British Cinema (article by Gill Plain); Allied Film Makers: Crime, Comedy And Social Concern (article by Sally Dux); Polanski And Skolimowski In Swinging London (article by Robert Murphy); Culture, Change And Continuity In The 1970s (article by Lisa Richards, James Woolley and Emma Pett); Bill Douglas: A Symposium At Exeter University (report by Paul Newland); Book reviews including "British Science Fiction Film And Television" and "Film England"; and much more.


Vol 8 #1
2011


Vol 7 #1
2010

All magazine covers are copyrighted by their publishers. No rights are given or implied. They are presented here for their historical significance and the edification of magazine fans and collectors, everywhere.