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SHOCK CINEMA
Your Guide To Cult Movies, Arthouse Oddities, Drive-In Swill, And Underground Obscurities!
Biannual Fanzine from United States


- First issue: 1992
- Everything except "standard Hollywood slop".
- From the editorial to the last page Shock is a magazine with great personality. An informative source for weird movies.
- Before Shock Cinema Steve Puchalski was the creator of Slimetime. The reviews from that zine can be found in a wonderful book with the same title.
- Publisher/Editor: Steve Puchalski
- One issue per year, 40 black and white A4 pages.
- Website: www.shockcinemamagazine.com

Last updated:
1 July 2022
(see recent updates)
Special thanks for this page goes to:
Scott Matheson
Garry Malvern

COVERS FOUND & MISSING
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CONTENTS: 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 All GALLERIES: 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 All

Issue 21
Fall/Winter 2002
Interviews with actors Malcolm McDowell and Kurtwood Smith, cinematographer Vilmos Zsigmond, and blaxploitation writer-director Oscar Williams.
Reviews include Richard Burton and Rex Harrison in Staircase, Scott Baio in The Boy Who Drank Too Much and Stoned, Anna Karina and Serge Gainsbourg in Anna, the Vietnam documentary Winter Soldier, Sogo Ishii's Gojoe and Electric Dragon 80000V, Andrzej Zulawski's The Devil [Diabel], Marcello Mastroianni in John Boorman's Leo the Last, Paul Anka plays a teen voyeur in Look in Any Window, Angus Scrimm in Don Coscarelli's Jim the World's Greatest, the French-Canadan biker epic Hochelaga, Dirk Bogarde in Sebastian, Britt Ekland in Liliana Cavani's I Cannibali, Richard Farina's Been Down So Long It Looks Like Up To Me, Mickey Rooney and Mamie Van Doren in The Big Operator, Penelope Speeris' Ozzfest documentary We Sold Our Souls For Rock 'N Roll, Derek Ford's Groupie Girl, Peter Whitehead's The Fall, Los Bravos in the rock-musical/comedy A Little Bit of Love, George Sanders in The Candy Man, Guy Maddin's ballet Dracula: Pages From a Virgin's Diary, Pere Portabella's Cuadecuc - Vampir.


Issue 20
Spring/Summer 2002
Interviews with actors Michael Moriarty, Keith David and Joe Turkel, screenwriter W.D. Richter, and exploitation auteur Lee Frost.
Reviews include James Coburn in Duffy, Calvin Lockhart and Jeff Bridges in Halls of Anger, Diana Rigg's rare short films The Diadem and Mini-Killers, William Smith in The Runaway, Michael Moriarty and William Devane in My Old Man's Place, Here We Go Round the Mulberry Bush; Billy Dee Williams in The Take, Robert DeNiro in Jennifer on My Mind, Robert Kramer's Ice, Gene Wilder and Zero Mostel in Rhinoceros, William Klein's Le Couple Temoin, Alan Arkin in Terrence Malick's Deadhead Miles, Captain Milkshake, Jenny Agutter in I Start Counting, Chosen Survivors, Barry Gordon and Jon Voight in Out of It, Rene Daalder's Population:1, the redneck sexploitation romp Six Pack Annie, Dante Tomaselli's Horror, Kevin Spacey in Ordinary Decent Criminal, Patty McCormack in Born Wild, Santiago Segura's Torrente, The Dumb Arm of the Law, Kiyoshi Kurosawa's Pulse, Cradle of Fear, Clint Howard in Evilspeak, Leif Garrett in Skateboard; Gabrielle Salvatores' Denti.

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