2003

Issue 1002
January 2003

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Issue 1003
February 2003

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Chicago <ul> <li>Fulfilled by His Calling, ASC Member Bill Butler receives the Society's Lifetime Achievement Award</li> <li>Razzle Dazzle, Chicago brings Bob Fosse's bold, brassy musical to the big screen</li> <li>A Colorful Con, The Music Man fine tunes a charlatan's song and dance for television</li> <li>Shooting from the Hip, Robber Homicidestages hard-hitting action for HD cameras.</li> <li>Divine Interventions, A disillusioned priest-in-training seeks the holy truth in Miracles</li> <li>Boys from Brazil, City of Godthe latest cinematic stunner from South America.</li>

Issue 1004
March 2003

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Daredevil<ul><li> Footsteps Worth Following, Witold Sobocinski, PSC receives the ASC International Achievement Award</li><li> Man Without Fear, Daredevil brings a comic book hero to the big screen</li><li> Illuminating an Idea, Shedding light on Chuck Barris in Confessions of a Dangerous Mind</li><li> Forging a Nation, Gods and Generals marches through the Civil War</li><li> Grace Under Pressure, Coral Reef Adventure plumbs the ocean's depths</li><li> A Pair of Aces, John Seitz, ASC proved to be an ideal cinematographer for director Billy Wilder</li>

Issue 1005
April 2003

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X-Men 2<ul> <li>A Universe X-pands, X-Men 2 continues the X-men_s adventures</li> <li>Infintie Abilities, effects experts aim to blow away minds with X-Men 2</li> <li>Icy Chills, Dreamcatcher freezes a group of friends with fear</li> <li>Countdown to Catastrophe, the earth is imperiled in The Core</li> <li>A Flexible Finish, Digital intermediates impact the art of image control</li> <li>Sundance 2003: Varied Plattes, Well-shot films from this years festival</li>

Issue 1006
May 2003

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Issue 1007
June 2003

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The Matrix: Reloaded<ul><li>Rebooting a Sci-Fi Spectacular, The Matrix Reloaded aims to blow minds.</li> <li>Simulated Cinema, Reloaded's effects are driven by virtual cinematography. </li> <li>A Golden Fleecing, a daring double cross sets The Italian Job in motion.</li> <li>Mata Haris, Charlies Angels: Full Throttle lives up to its title.</li> <li>Memorable Eras, period cinematography is honored at both the ASC and Academy Awards.</li> <li>Lauding a Landmark, Sunrise is saluted in this classic 1984 appreciation penned by the late Nestor Almendros, ASC.</li>

Issue 1008
July 2003

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The Hulk<ul><li>Temper, Temper, The Hulk brings Marvel_s angriest superhero to the big screen.</li> <li>Growing Pains, ILM creates a digital Hulk and a virtual encironment.</li> <li>Taking the Plunge, Ghosts of the Abyss explores the Titanic wreckage in hi-def 3-d Imax.</li> <li>Up, Up and Way, 14 cinematographers capture bird_s-eye views for Winged Migration.</li> <li>All the Rage, Cannibalistic, undead creatures overrun england in 28 Days Later.</li>

Issue 1009
August 2003

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Terminator 3<ul> <li>Heavy Metal, The unstoppable cyborg returns in Terminator 3. </li> <li>Horse Power, Seabiscuit chronicles an underdog?s triumph. </li> <li>Skull and Bones, Pirates of the Caribbean heads for the high seas. </li> <li>Pop Life, Aspiring rock stars struggle in Garage Days. </li> <li>Desert Storm, Nature gains the upper hand in Deftones video. </li> <li>Domino Effect, A clever Honda spot taps Rube Goldberg. </li> <li>Siren Song, No Doubt video puts simplicity in the spotlight.</li>

Issue 1010
September 2003

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Hero<ul> <li>A Fantastic Fable, Chris Doyle, HKSC shares his production journal from Hero. </li> <li>Revolutionary Images, HBO's And Starring Pancho Villa as Himself catches Mexican rebels on camera. </li> <li>Techno Lust, A dot-com rivalry drives suspense in Demonlover.</li> <li>Golden Years, CinemaScope celebrates its 50th anniversary.</li>

Issue 1011
October 2003

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Kill Bill <ul> <li> A Bride Vows Revenge, Robert Richardson, ASC studies Zen and the art of killing on Kill Bill. </li> <li> Divorce, American-Style, Roger Deakins, ASC, BSC reteams with the Coen brothers on Intolerable Cruelty. </li> <li> Walking the Halls of Fate, Harris Savides, ASC captures a high-school tragedy in Elephant. </li> <li> Putting the 'Move' in Movie, prominent cinematographers and equipment innovators address the topic of camera movement. </li> <li> A Brief History of Camera Mobility, An overview of the systems that have changed the ways films are made. </li>

Issue 1012
November 2003

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Angels in America <ul> <li> Heaven Sent, Stephen Golblatt, ASC helps HBO bring Angels in America to television. </li> <li> Hell or High Water, Master and Commander, shot by Russell Boyd, ACS,Transforms acclaimed novels into a seaworthy feature. </li> <li> Mano A Mano, Bill Pope, ASC analyzes a climactic sequence from The Matrix: Revolutions. </li> <li> Interior Landscapes, In the Cut offers some daring lightning by Dion Beebe, ACS </li> <li>Tall Tales, Jack Green, ASC lends a warm glow to Secondhand Lions. </li> <li> Dialed In, A complete list of this year's Emmy winners and nominees for television cinematography. </li>

Issue 1013
December 2003

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21 Grams <ul> <li> Heartbreak and Loss, Rodrigo Prieto, ASC, AMC gives 21 Grams a raw, gritty look.</li> <li> Dark Deeds, Tom Stern mans the camera on Mystic River. Mystic River. </li> <li> True Grit, Larry Bridges completes 12 after a decade of determined effort. 12 after a decade of determined effort. </li> <li> Desert Dreams, Steve Gainer lends visual punch to Black Cloud. Black Cloud. </li> <li> Metadata's Impact on 'Artistic Intent', Digital data may help cinematographers preserve the creative integrity of their images. </li> <li> Global Village: A daring Journey From Pakistan to London, In This World tells the story of two young Afghans who set out on such a trip, a treacherous trek from Pakistan to London.</li><li>Production Slate: The Cooler.</li><li>Short Takes: A.N.I. 1240, A short film shot by cinematographer</li> <li>J.T. Andre Erickson.</li><li>Wrap Shot: The Texas Chainsaw Masacre.