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1999
Issue 143
January 1999
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Issue 144
February 1999
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Issue 145
March 1999
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Issue 146
April 1999
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Issue 147
May 1999
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Issue 147
May 1999
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Issue 147
May 1999
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Issue 147
May 1999
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Issue 148
June 1999
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<FONT COLOR='#ff0000'>Reviews</FONT>: eXistenZ, The Loss of Sexual Innocence, Run Lola Run.<BR>

<FONT COLOR='#ff0000'>The sex files</FONT>: Julia Roberts, Mike Myers, Sharon Stone, and many more reveal the naked truth behind filming their first love scene.<BR>

<FONT COLOR='#ff0000'>Goodbye, Goodfellas</FONT>: Once a colorful thorn in Hollywood's side, organized crime is now just an L.A. sideshow.<BR>

<FONT COLOR='#ff0000'>Emir Kusturica and Goran Paskaljevic</FONT>: Two films, two feuding directors - Separate views of the most tragic region in Europe.<BR>

<FONT COLOR='#ff0000'>Summer preview</FONT>: Premiere predicts which summer films will rule the box office galaxy.<BR>

<FONT COLOR='#ff0000'>Salma Hayek</FONT> shoots straight about enticing tarantulas, breaking commandments, and nearly losing Wild Wild West.<BR>

<FONT COLOR='#ff0000'>The Mummy</FONT>: Brendan Fraser presents a few of his favorite images from the set.<BR>

<FONT COLOR='#ff0000'>Show Toppers</FONT>: At the ShoWest convention in Las Vegas, theater owners honor the hottest tickets in Hollywood.<BR>

<FONT COLOR='#ff0000'>The Power List</FONT>: The 100 most powerful people in Hollywood: 1.Rupert Murdoch, 2.Michael Eisner, 3.Summer Redstone, 4.Steven Spielberg...
Issue 149
July 1999
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<FONT COLOR='#ff0000'>Reviews</FONT>: Limbo, My Son the Fanatic.<BR>

<FONT COLOR='#ff0000'>50 unsung classics</FONT>: How many of these great movies have you seen?<BR>

<FONT COLOR='#ff0000'>Heather Graham</FONT>: Makes "Austin Powers" & "Bowfinger" go pop.<BR>

<FONT COLOR='#ff0000'>John Sayles</FONT>: Winning his war with the studios.<BR>

<FONT COLOR='#ff0000'>10 terrific scripts</FONT> Hollywood can't handle.<BR>

<FONT COLOR='#ff0000'>Julia vs Julia</FONT>: Two Roberts vehicles collide.<BR>

<FONT COLOR='#ff0000'>Rumors Inc.</FONT>: Stars tell tall tales.<BR>

<FONT COLOR='#ff0000'>Star Wars</FONT>: Pod race shot-by-shot.<BR>

<FONT COLOR='#ff0000'>Barry Sonnenfeld</FONT>: Talks about his faith in Will Smith, his love of the studio system. and how he made Forrest run.<BR>

<FONT COLOR='#ff0000'>Cool runnings</FONT>: Director Tom Tykwer slows down to talk about the Sundance standout Run Lola Run.
Issue 150
August 1999
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<FONT COLOR='#ff0000'>Reviews</FONT>: Summer of Sam, American Pie, Dick, Autumn Tale.<BR>

<FONT COLOR='#ff0000'>Stop the madness</FONT>: American movies try to get respect at a very tentious Cannes film festival.<BR>

<FONT COLOR='#ff0000'>Star power</FONT>: How actors use (and abuse) their clout.<BR>

<FONT COLOR='#ff0000'>Brad Pitt & Edward Norton</FONT>: Two heavy hitters put their muscle behind the controversial Fight Club.<BR>

<FONT COLOR='#ff0000'>Fright nights</FONT>: Secrets of summer's scariest movies.<BR>

<FONT COLOR='#ff0000'>The complete Kubrick</FONT>: Insiders remember a cinematic genius.<BR>

<FONT COLOR='#ff0000'>Michelle Williams</FONT>: The girl who knows too much.<BR>

<FONT COLOR='#ff0000'>The Haunting</FONT>: Liam Neeson, Lili Taylor, Catherine Zeta-Jones, and Owen Wilson raise the roof on the set of Jan De Bont's film.<BR>

<FONT COLOR='#ff0000'>The Blair Witch Project</FONT>: The indie horror sensation.
Issue 151
September 1999
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<FONT COLOR='#ff0000'>Reviews</FONT>: Runaway Bride, The Muse, The Source, Eyes Wide Shut.<BR>

<FONT COLOR='#ff0000'>Total Guide to the new season</FONT>: Starring: Tom Cruise, Gwyneth Paltrow, Nicolas Cage, Ben Affleck, Cameron Diaz, Leonardo DiCaprio, Jodie Foster, Jim Carrey, Angelina Jolie, Meg Ryan, Christina Ricci.<BR>

<FONT COLOR='#ff0000'>Michelle Pfeiffer</FONT>: The fire within.<BR>

<FONT COLOR='#ff0000'>Egomania '99</FONT>: The ugly truth about Disney vs Katzenberg.<BR>

<FONT COLOR='#ff0000'>Steve McQueen</FONT>: The scandalous life of the movies' coolest rebel.<BR>

<FONT COLOR='#ff0000'>Don't shoot!</FONT>: The violent movies that scare Hollywood to death.<BR>

<FONT COLOR='#ff0000'>All the Pretty Horses</FONT>: An exclusive first look on the set of Billy Bob Thornton's latest directorial effort, starring Matt Demon.<BR>

<FONT COLOR='#ff0000'>LeeLee Sobieski</FONT>: The star of TV's Joan of Arc, who's now turning heads in Stanley Kubrick's Eyes Wide Shut, says of Kubrick, "I was 14. I didn't know what he was doing with me."
Issue 152
October 1999
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<FONT COLOR='#ff0000'>Reviews</FONT>: American Beauty, The Straight Story, Jacob the Liar.<BR>

<FONT COLOR='#ff0000'>Hall of Fame</FONT>: Premiere celebrates the 100 most daring people in the history of film making.<BR>

<FONT COLOR='#ff0000'>Martin Scorsese & Spike Lee</FONT>: Two master filmmakers and provacateurs discuss the vagaries of the rating system, the oscars, and living in the material world.<BR>

<FONT COLOR='#ff0000'>Two flew over the cuckoo's nest</FONT>: To play mental patients in Girl, Interrupted, actresses Winona Ryder and Angelina Jolie had to revisit some dark times in their own pasts.<BR>

<FONT COLOR='#ff0000'>Vanguard talents</FONT>: A portfolio of the young and fearless.<BR>

<FONT COLOR='#ff0000'>Philip Seymour Hoffman</FONT>: He kissed Mark Wahlberg in Boogie Nights, made obscene phone calls to his neighbor in Happiness, and will don women's clothing for the upcoming film Flawless.<BR>

<FONT COLOR='#ff0000'>Sarah Polley & Audrey Wells</FONT>: The star and the writer-director of Guinevere talk about their politically charged friendship and their film's unusual depiction of a May-September relationship.<BR>

<FONT COLOR='#ff0000'>Tim Burton's Sleepy Hollow</FONT>: Johnny Depp, Christina Ricci, and the Headless Horseman come together on the creepy set of Burton's latest other-wordly adventure.<BR>

<FONT COLOR='#ff0000'>Diller's Crossing</FONT>: October Films rose to prominence with its savvy marketing of unusual art films. Yet its very success, ironically, proved to be its undoing. Now that mogul Barry Diller has folded October and Gramercy Pictures into his USA Films, will it become a threat to Miramax's dominance of the independent scene?
Issue 153
November 1999
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<FONT COLOR='#ff0000'>Reviews</FONT>: The Insider, The Limey, Ride With The Devil.<BR>

<FONT COLOR='#ff0000'>As Kate would have it</FONT>: From her starting debut in Heavenly Creatures to her Oscar-nominated, world-conquering turn in Titanic, Kate Winslet has kept her own counsel through a spectacular rise to stardom. Now she has a new film, Holy Smoke; a new husband; and a renewed determination to take Hollywood on her own terms.<BR>

<FONT COLOR='#ff0000'>King's ransom</FONT>: 'George and David got so mad at each other that they had to be separated,' Ice Cube says of his Three Kings costar George Clooney and director David O. Russell, who nearly came to blows on the Arizona set.<BR>

<FONT COLOR='#ff0000'>Making Love's</FONT>: Director Kenneth Branagh and company (Alicia Silverstone, Matthew Lillard, et al.) break into song on the set of Love's Labour's Lost, one of Shakespeare's lesser-known comedies, which they're adapting into the 1930s-style musical romp, due to open next spring.<BR>

<FONT COLOR='#ff0000'>The last innocent</FONT>: A veteran director looks back wistfully at the life of Audrey Hepburn-a great Hollywood star and master manipulator of beauty and feelings, yet a noble, considerate, and stylishly elegant as they come.<BR>

<FONT COLOR='#ff0000'>The gray '90s</FONT>: Venerable screenwriter William Goldman explains why the '90s represented the most severe creative drought in film history.<BR>

<FONT COLOR='#ff0000'>The Straight Story</FONT>: David Lynch's latest film.<BR>

<FONT COLOR='#ff0000'>Get happy</FONT>: Gregg Araki, director of the apocalyptic gorefests Doom Generation and Nowhere, changes gears with his latest film, Splendor-a quirky romance that is positively sweet.<BR>

<FONT COLOR='#ff0000'>First take</FONT>: The barely possible Mission: Impossible 2; what actress Hilary Swank knows about Boys; the great American Movie; and Terence Stamp's path from Cockney to The Limey.<BR>

<FONT COLOR='#ff0000'>Shy, but barely</FONT>: Shy or not, all actresses know that removing their clothing can help their careers. Here, a B-movie veteran reveals the not-always-bitter truth about appearing naked onscreen.
Issue 154
December 1999
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<FONT COLOR='#ff0000'>Reviews</FONT>: Bringing Out The Dead, Cradle Will Rock, The Cider House Rules.<BR>

<FONT COLOR='#ff0000'>The movies that changed America</FONT>: From Shampoo to Saving Private Ryan.<BR>

<FONT COLOR='#ff0000'>Where's Johnny?</FONT>: Following a string of quirky roles in lackluster films, the elusive Johnny Depp is now focusing on his new baby, his new life in France, and his upcoming turn in Tim Burton's Sleepy Hollow.<BR>

<FONT COLOR='#ff0000'>Holiday presence</FONT>: A wealth of exciting new films hit theaters just in time for Oscar consideration, and Premiere showcase some of their stars, those who shine the brightest: Denzel Washington, Lisa Kudrow, Charlize Theron, Chow Yun-Fat, and Tobey Maguire.<BR>

<FONT COLOR='#ff0000'>Hell's angels</FONT>: Robin Tunney may be known for her somber roles in such films as The Craft, but while on a picnic in L.A., the actress-next up in End Of Days-betrays a sunny disposition.<BR>

<FONT COLOR='#ff0000'>Rocking the house</FONT>: In his Altmanesque epic Cradle Will Rock, director Tim Robbins presents a lively mosaic of mostly true tales from the 1930s art-meets-politics front, with Orson Welles and Diego Rivera at the barricades.<BR>

<FONT COLOR='#ff0000'>Three angry men</FONT>: Premiere investigates the ongoing controversy inside The Insider, Michael Mann's take on big tobacco, CBS, and 60 Minutes.<BR>

<FONT COLOR='#ff0000'>'Mother' of the year</FONT>: No longer the enfant terrible, Pedro Almodovar is set to release his calm, bittersweet drama All About My Mother.<BR>

<FONT COLOR='#ff0000'>First take</FONT>: Guerrilla marketing; stars get (too) comfortable on Bravo; Johnny Lee Miller meets Jane Austeen; and what a best boy does. Plus: the divine Judi Dench.<BR>

<FONT COLOR='#ff0000'>Teen days that shook the world</FONT>: Fifteen years ago, John Hughes had never had a hit, the Brat Pack was unheard of, and Hollywood believed the phrase "teen drama" was an oxymoron. The Breakfast Club changed all that.
Issue 155
Women in Hollywood 1999
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