0-9   

A    B    C    D

E    F    G    H

I    J    K    L

M    N    O    P

Q    R    S    T

U    V    W    X

Y    Z

CAMERA OBSCURA
Feminism, Culture, And Media Studies
Scholarly Journal from United States

- First issue: 1976

Full info

DATABASE INFO: Full listing
1976 1977 1979 1980 1981 1982 1983 1984 1985 1986 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All
Issue 75
Vol 25 # 3
December 2010

Issue 74
Vol 25 # 2
September/October/November 2010

Pink Technology: Mediamaking Gear for Girls Mary Celeste Kearney
Mika Rottenberg's Productive Bodies Hsuan L. Hsu
"Would you like to sin with Elinor Glyn?" Film as a Vehicle of Sensual Education Laura Horak
The Front Lawn of Heaven: Landscape in Hollywood Melodrama circa 1945 Jennifer Peterson
In Practice: Activist Video Documenting Modern-Day Slavery in the Dominican Republic: An Interview with Amy Serrano Michael T. Martin
Maquilapolis: An Interview with Vicky Funari and Sergio de la Torre Rosa-Linda Fregoso
Why Isn't Michelle Lopez on Judge Judy? Citizenship and Televisuality in Hima B.'s And I Do Survive Ani Maitra.
Issue 73
Vol 25 # 1
April/May/June 2010

Ned Schantz
Hospitality and the Unsettled Viewer: Hitchcock's Shadow Scenes
Linda Williams
Cluster Fuck: The Forcible Frame in Errol Morris's Standard Operating Procedure
Richard Pope
Affects of the Gaze: Post-Oedipal Desire and the Traversal of Fantasy in Blade Runner
Scott Balcerzak
Laurel and Hardy Queer the Fraternity: The Comedy Duo and Heterosexual Brotherhood in Sons of the Desert
Julie Levin Russo
Show Me Yours: Cyber-Exhibitionism from Perversion to Politics
Anna E. Ward
Pantomimes of Ecstasy: BeautifulAgony.com and the Representation of Pleasure
Issue 72
Vol 24 # 3
January/February/March 2010

Last updated:
24 December 2023
Special thanks for this page goes to:
Scott Matheson
Garry Malvern

All magazine covers are copyrighted by their publishers. No rights are given or implied. They are presented here for their historical significance and the edification of magazine fans and collectors, everywhere.